Guide to Computing for Expressive Music Performance

2013
ISBN: 978-1-4471-6065-6
Verlag: Springer

Buch, Englisch, 262 Seiten, Paperback, Format (B × H): 155 mm x 235 mm, Gewicht: 4219 g

This book discusses all aspects of computing for expressive performance, from the history of CSEMPs to the very latest research, in addition to discussing the fundamental ideas, and key issues and directions for future research. Topics and features: includes review questions at the end of each chapter; presents a survey of systems for real-time interactive control of automatic expressive music performance, including simulated conducting systems; examines two systems in detail, YQX and IMAP, each providing an example of a very different approach; introduces techniques for synthesizing expressive non-piano performances; addresses the challenges found in polyphonic music expression, from a statistical modelling point of view; discusses the automated analysis of musical structure, and the evaluation of CSEMPs; describes the emerging field of embodied expressive musical performance, devoted to building robots that can expressively perform music with traditional instruments.

Zielgruppe

Graduate

Autoren/Hrsg.

Miranda, Eduardo R.

Kirke, Alexis

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musiktheorie, Musikästhetik, Kompositionslehre
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musikalische Akustik, Tontechnik, Musikaufnahme
• Technische Wissenschaften Elektronik | Nachrichtentechnik Elektronik Robotik
• Mathematik | Informatik EDV | Informatik Professionelle Anwendung Digitale Musik

Inhaltsverzeichnis

An Overview of Computer Systems for Expressive Music Performance.- Systems for Interactive Control of Computer Generated Music Performance.- Expressive Performance Rendering with Probabilistic Models.- Artificial Evolution of Expressive Performance of Music.- Modelling, Analysing, Identifying and Synthesizing Expressive Popular Music Performances.- Statistical Approach to Automatic Expressive Rendition of Polyphonic Piano Music.- Evaluation of Computer Systems for Expressive Music Performance.- Computational Music Theory and its Applications to Expressive Performance and Composition.- Anthropomorphic Musical Robots Designed to Produce Physically-Embodied Expressive Music Performances.

Über Autor(innen)

Prof. Eduardo R. Miranda is a composer and Professor in Computer Music at Plymouth University, UK, where he is Director of the Interdisciplinary Centre for Computer Music Research (ICCMR).

Dr. Alexis Kirke is a Research Fellow at ICCMR and composer-in-residency at the Marine Institute - Plymouth University.