Blacksound

Making Race and Popular Music in the United States
1. Auflage 2024
ISBN: 978-0-520-39059-1
Verlag: University of California Press

Buch, Englisch, 328 Seiten, Trade Paperback, Format (B × H): 148 mm x 225 mm, Gewicht: 440 g

A new concept for understanding the history of the American popular music industry.

Blacksound explores the sonic history of blackface minstrelsy and the racial foundations of American musical culture from the early 1800s through the turn of the twentieth century. With this namesake book, Matthew D. Morrison develops the concept of "Blacksound" to uncover how the popular music industry and popular entertainment in general in the United States arose out of slavery and blackface.

Blacksound as an idea is not the music or sounds produced by Black Americans but instead the material and fleeting remnants of their sounds and performances that have been co-opted and amalgamated into popular music. Morrison unpacks the relationship between performance, racial identity, and intellectual property to reveal how blackface minstrelsy scripts became absorbed into commercial entertainment through an unequal system of intellectual property and copyright laws. By introducing this foundational new concept in musicology, Blacksound highlights what is politically at stake—for creators and audiences alike—in revisiting the long history of American popular music.

Autoren/Hrsg.

Morrison, Matthew D.

Fachgebiete

• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Mentalitäts- und Sozialgeschichte
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musikethnologie
• Sozialwissenschaften Ethnologie | Volkskunde Volkskunde
• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Geschichte einzelner Länder Amerikanische Geschichte
• Geisteswissenschaften Musikwissenschaft Geschichte der Musik

Inhaltsverzeichnis

Contents

List of Illustrations

Author’s Note

Acknowledgments

Introduction: The Origins of Blacksound

PART I. RACIAL IDENTITY AND POPULAR MUSIC IN EARLY BLACKFACE

1. Slavery and Blackface in the Making of Blacksound

2. William Henry “Master Juba” Lane and Antebellum Blacksound

3. Stephen Foster and the Composition of Americana

PART II. THE BIRTH OF THE POPULAR MUSIC INDUSTRY
4. The House That Blackface Built: M. Witmark & Sons and the Birth of Tin Pan Alley

5. Intellectual (Performance) Property: Ragtime Goes Pop

Conclusion: Blacksound and the Legacies of Blackface

Notes

Bibliography

Index

Über Autor(innen)

Matthew D. Morrison, a native of Charlotte, North Carolina, is a musicologist, violinist, and Associate Professor in the Clive Davis Institute of Recorded Music at New York University's Tisch School of the Arts.