E-Book, Englisch, 256 Seiten
Santlofer / Child / Yablonsky The Marijuana Chronicles
1. Auflage 2013
ISBN: 978-1-84344-260-8
Verlag: No Exit Press
Format: EPUB
Kopierschutz: 6 - ePub Watermark
E-Book, Englisch, 256 Seiten
ISBN: 978-1-84344-260-8
Verlag: No Exit Press
Format: EPUB
Kopierschutz: 6 - ePub Watermark
Jonathan Santlofer is the editor of The Marijuana Chronicles and is currently completing a new novel. A native New Yorker, Santlofer lives and works in Manhattan.
Autoren/Hrsg.
Weitere Infos & Material
introduction smoke:
seventeen writers on going to pot
by jonathan santlofer
P ot. Grass. Hemp. Hash. Herb. Reefer. Ganja. Smoke. Spliff. Weed. Kush. Mary Jane. Cannabis. Tea. Blunt. Dope. Doobie.
Marijuana. The popular drug. The newsworthy drug. The everyman and everywoman drug. Medical marijuana. Recreational pot. A drug for the young, the old, and everyone in between. The drug that doesn’t have you pawning the family silver along with your mother. The mellow—put on a Barry White CD, open a jug of vino, and send out for a dozen Dunkin’ Donuts—drug. The cool drug. The no howling at the moon (well, maybe not) drug.
Whatever you want to call it, marijuana, cannabis, and hemp have been around for a long time. As a food in ancient China, a textile in 4000 BC Turkestan, referred to as “Sacred Grass” in Hindu texts long before Christ. Scythian tribes left cannabis seeds as offerings to the gods. Herodotus wrote on its recreational and ritualistic use. There is evidence that the Romans used it medicinally and the Jewish Talmud touted its euphoric properties. Syrian mystics introduced it to twelfth-century Egypt, and Arabs traded it along the coast of Mozambique. Marco Polo reported on hashish in his thirteenth-century journeys. Angolan slaves planted it between rows of cane on Brazilian plantations, the French and British grew cannabis and hemp in their colonies. George Washington cultivated it at Mount Vernon, and Thomas Jefferson grew it at Monticello. Around 1840 cannabis-based medicines became available in the US—Le Club des Hashischins (the Hashish-Eaters Club) was all the rage in Paris, and Turkish smoking parlors were opening in America. (All according to “A Short History of Cannabis,” by Neil M. Montgomery, Pot Night, Channel 4 Television, March 4, 1995.)
As marijuana’s popularity grew, the British taxed it, Napoleon banned it, Turkey made it illegal, Greece cracked down. In 1930, the US government ceded control of illegal drugs to the Treasury Department and Harry J. Anslinger, a prohibitionist zealot, was named the first commissioner of the Federal Bureau of Narcotics, a job he managed to hold until 1962. Anslinger waged war against marijuana with a nationwide campaign that linked pot smoking to insanity, and the San Francisco Examiner ran an editorial in 1923 supporting this belief:
Marihuana is a short cut to the insane asylum. Smoke marihuana cigarettes for a month and what was once your brain will be nothing but a storehouse of horrid specters.
Clearly crazier and nastier than the vast majority of pot smokers would ever be, Anslinger went even further with his testimony at a Senate hearing, creating an abhorrent racial bias in regard to the drug:
There are 100,000 total marijuana smokers in the US, and most are Negroes, Hispanics, Filipinos, and entertainers. Their Satanic music, jazz and swing, result from marijuana usage. This marijuana causes white women to seek sexual relations with Negroes, entertainers, and any others.
Though New York’s mayor, Fiorello La Guardia, commis sioned an in-depth study of the effects of smoking marijuana, which contradicted Anslinger’s claims, it was condemned as unscientific and wholly disregarded by the crusading narcotics bureau chief.
Meanwhile, Reefer Madness, the full-length 1936 black-andwhite propaganda movie, touted the dangers of a “new drug menace which is destroying the youth of America in alarmingly increasing numbers,” that would ultimately cause “emotional disturbances … leading finally to acts of shocking violence … ending often in incurable insanity.” Personally, I found the film’s wild partying, sex, and even murder campy fun despite the pious preaching and bad acting. In the end, you just can’t spell out the dangers of neon with neon and not make your audience want to try it!
The “culture of marijuana” was born (or reborn) sometime in the 1960s on college campuses across the US as students rallied against the Vietnam War and smoked pot publically. By 1965, it is believed, approximately one million Americans had tried the drug and within a few years that number had reached more than twenty million.
Nixon, Anslinger’s heir apparent, tried to crush it with “Operation Intercept,” an attempt to shut down border crossings between Mexico and the United States, while he raised the criminal stakes on marijuana possession so that a twenty-five-year-old Vietnam vet, Don Crowe, could be sentenced to fifty years in jail for selling less than an ounce. Though the National Commission on Marijuana and Drug Abuse released a 1972 study urging the decriminalization of smoking pot in the privacy of one’s own home, Nixon disregarded it, created the DEA, gave it the authority to enter houses “without knocking,” and began extensive wiretapping and intelligence-gathering on private citizens. The Reagan administration continued the war on drugs—who can forget first lady Nancy Reagan’s famous “Just Say No” campaign?
With the leap from “just say no” to the astonishing decriminalization of recreational pot by Colorado and Washington in 2012, one can now say the actual seeds of change have been sown. Eighteen states plus Washington, DC have now legalized medical marijuana, and a host of medical literature points to evidence that the drug, in its myriad forms, can be used in the treatment of nausea and vomiting, anorexia and weight loss, spasticity, neurogenic pain, movement disorders, asthma, glaucoma, epilepsy, bipoloar disorder, and Tourette’s syndrome. Recent studies with cannabis and cannabinoids show promise in treating arterial blockage, Alzheimer’s disease, autoimmune diseases, and blood pressure disorders. The FDA acknowledges that “there has been considerable interest in its use for the treatment of a number of conditions, including glaucoma, AIDS wasting, neuropathic pain, treatment of spasticity associated with multiple sclerosis, and chemotherapy-induced nausea,” but the agency has yet to approve it.
As Colorado governor John Hickenlooper points out, “Federal law still says marijuana is an illegal drug, so don’t break out the Cheetos or Goldfish too quickly.” While Colorado and Washington have made it legal to smoke, sell, or carry up to one ounce of marijuana, it will take some time to sort out the federal-versusstate issue. Despite the fact that there was no big funding in opposition to the legalization propositions—and despite a recent poll showing that “fifty percent of voters around the country now favor legalizing the drug for recreational use,” cited by Benjamin Wallace-Wells in the December 3, 2012 issue of New York—the battle is hardly over.
With the marijuana debate, medical or otherwise, ongoing and persistent, I knew I wanted to echo that in this anthology with the inclusion of some writing about the facts. So The Marijuana Chronicles includes both fiction and nonfiction pieces. The writer and journalist Rachel Shteir supplied just that in a story about can nabis advocate and multiple sclerosis sufferer Julie Falco, whose brave fight for survival is at once human and legal. The issue raises its head again in former student radical Raymond Mungo’s close-to-home tangled tale of the pursuit of legal and not-so-legal medical marijuana in California. The fact that the subject was taken up yet again but in an entirely fictional way in Thad Ziolkowski’s short story about a medical marijuana farm felt not only like kismet but a reflection of the zeitgeist and confirmation that art and life always share a stage.
Hollywood has long reflected and embraced the change in attitude with such stoner star turns as Cheech and Chong’s Up in Smoke, Sean Penn’s hilarious Jeff Spicoli in Fast Times at Ridgemont High, Jane Fonda’s pot-smoking hooker in Klute, Bridget Fonda in Quentin Tarantino’s Jackie Brown, and the granddaddy of all counterculture stoner films, Easy Rider, wherein Peter Fonda (what is it with these Fondas?) introduces Jack Nicholson to his first smoke (and if you believe that was really Jack’s first toke, you will believe anything). Diane Keaton needed a hit to relax her in Annie Hall, and Jeff Bridges played the ultimate stoner dude in The Big Lebowski.
Like film, literature has been no stranger to the drug, going back to Charles Baudelaire’s 1860 Artificial Paradises, in which the French poet not only describes the effects of hashish but postulates it could be an aid in creating an ideal world. The pleasures, pains, and complexities of marijuana are more than hinted at in works by William S. Burroughs, Jack Kerouac, Allen Ginsberg, Henry Miller, Hunter S. Thompson, and Thomas Pynchon, to name just a few, and I hope this anthology will add to that legacy and keep the flame of pot literature burning bright.
National Book Award winner Joyce Carol Oates creates an instant classic for the genre in her dark tale of suburban-meetsurban weed consumption gone wrong, and Linda Yablonsky turns your head inside out with a pot-smoking, cross-dressing, gun-toting character as alluring as he is terrifying.
I never expected pothead zombies but that’s just what Maggie Estep delivers in her zany and hilarious story. Cultural critic Edward M. Gómez gives us an urban tale at once real and idyllic, while Josh Gilbert takes us on a stoned journey through Hollywood hell. Amanda Stern offers us a coming-of-age cautionary tale with heart, soul, pot, and coke! And multi–award winning crime fiction author Lee Child could not help but write a story that will keep you guessing till the last line.
Marijuana crosses the ocean in Cheryl Lu-Lien Tan’s story of pot-smoking friends in Singapore, and...
