Taylor Making Value

Music, Capital, and the Social
1. Auflage 2024
ISBN: 978-1-4780-5934-9
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 224 Seiten

Timothy D. Taylor theorizes music’s economic and noneconomic forms of value to examine how people’s conceptions of value inform and shape their production and consumption of music.

Autoren/Hrsg.

Taylor, Timothy D.

Fachgebiete

• Sozialwissenschaften Soziologie | Soziale Arbeit Soziologie Allgemein
• Sozialwissenschaften Politikwissenschaft Politische Ideologien
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musikethnologie

Inhaltsverzeichnis

Acknowledgments
Introduction. Theorizing Value in Practice
1. Supply Chains and the Production of Value of Cultural Goods
2. Making Musicians into Productive Laborers
3. Trendspotters: Agents and Inspectors of Consumer Capitalism
4. Taking the Gift Out and Putting It Back In: From Cultural Goods to Commodities
5. Maintenance and Destruction of an East-Side Los Angeles Indie Rock Scene
6. World Music, Value, and Memory
7. Musical Performance as a Medium of Value
8. Circulation, Value, Exchange, and Music
Notes
References
Index

Über Autor(innen)

Timothy D. Taylor is Professor of Ethnomusicology at the University of California, Los Angeles, and author of Working Musicians: Labor and Creativity in Film and Television Production and Beyond Exoticism: Western Music and the World, both also published by Duke University Press.