Wang Techno-Magism

Media, Mediation, and the Cut of Romanticism
1. Auflage 2022
ISBN: 978-0-8232-9850-1
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 240 Seiten

Reihe: Lit Z

Techno-Magism: Media, Mediation, and the Cut of Romanticism explores how British Romantic literature abuts and is organized around both print and non-print media, both the print, pictorial art, and theater of that era as well as communicative technologies invented afterward, including photography, film, video, and digital screens.

Autoren/Hrsg.

Wang, Orrin N. C.

Fachgebiete

• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Mediensoziologie
• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: 19. Jahrhundert Romantik (Kunstgeschichte)
• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften
• Geisteswissenschaften Literaturwissenschaft Literarische Strömungen & Epochen

Inhaltsverzeichnis

Introduction 1

Constellations
1. Techno-Magism, Coleridge’s Mariner, and the Sentence Image 33
2. Two Pipers and the Cliché of Romanticism 53
3. The Gothic Zany 78
4. Prometheus Unbound and Commemorative Thought 102
5. After Life: Byron’s Manfred and the Umwelt 123

Cuts
6. Play Time: Austen, Byron, and Mary Shelley 149
7. Chthonic Michael: Smithson, Lévi-Strauss, Freud, Wordsworth 175
8. Dream Animals 196

Acknowledgments 223
Index 225

Über Autor(innen)

Wang Orrin N. C.:

Orrin N. C. Wang is Professor of English and Comparative Literature at the University of Maryland, College Park. He is the author of Fantastic Modernity: Dialectical Readings in Romanticism and Theory (Johns Hopkins University Press, 1996) and Romantic Sobriety: Sensation, Revolution, Commodification, History (Johns Hopkins University Press, 2011), which won the 2011 Jean-Pierre Barricelli Prize, and editor of “Frankenstein” in Theory: A Critical Anatomy (Bloomsbury, 2021). He is the General Editor of Romantic Circles and recipient of the 2020 Keats-Shelley Association of America Distinguished Scholar Award.Orrin N. C. Wang is Professor of English and Comparative Literature at the University of Maryland, College Park. He is the author of Fantastic Modernity: Dialectical Readings in Romanticism and Theory (Johns Hopkins University Press, 1996) and Romantic Sobriety: Sensation, Revolution, Commodification, History (Johns Hopkins University Press, 2011), which won the 2011 Jean-Pierre Barricelli Prize, and editor of “Frankenstein” in Theory: A Critical Anatomy (Bloomsbury, 2021). He is the General Editor of Romantic Circles and recipient of the 2020 Keats-Shelley Association of America Distinguished Scholar Award.