Buch, Englisch, 96 Seiten, Paperback, Format (B × H): 152 mm x 198 mm, Gewicht: 136 g
Reihe: Kuhl House Poets
Buch, Englisch, 96 Seiten, Paperback, Format (B × H): 152 mm x 198 mm, Gewicht: 136 g
Reihe: Kuhl House Poets
ISBN: 978-1-60938-127-1
Verlag: University of Iowa Press
Acclaimed poet Susan Wheeler, whose last individual collection predicted the spiritual losses of the economic collapse, turns her attention to the most intimate of subjects: the absence or loss of love. <br><br>A meme is a unit of thought replicated by imitation; examples of memes, Richard Dawkins wrote, “are tunes, ideas, catch-phrases, clothes fashions, ways of making pots or of building arches.” Occupy Wall Street is a meme, as are internet ideas and images that go viral. What could be more potent memes than those passed down by parents to their children?<br><br>Wheeler reconstructs her mother’s voice—down to its cynicism and its mid twentieth-century midwestern vernacular—in “The Maud Poems,” a voice that takes a more aggressive, vituperative turn in “The Devil—or —The Introjects.” In the book’s third long sequence, a generational inheritance feeds cultural transmission in “The Split.” A set of variations on losses and break-ups—wildly, darkly funny throughout and, in places, devastatingly sad—“The Split” brings Wheeler’s lauded inventiveness, wit, and insight to the profound loss of love. One read, and the meme “Should I stay or should I go?” will be altered in your head forever.




