Wren DRIFTWOOD SPARS

Enriched edition. The Stories of a Man, a Boy, a Woman, and Certain Other People Who Strangely Met Upon the Sea of Life
1. Auflage 2017
ISBN: 978-80-7583-798-1
Verlag: Musaicum Books
Format: EPUB
Kopierschutz: 6 - ePub Watermark

E-Book, Englisch, 186 Seiten

P. C. Wren's 'Driftwood Spars' is a gripping tale of love, betrayal, and redemption set in the Cornish Coast. Written in the early 20th century, this novel beautifully captures the essence of romanticism and adventure, with vivid descriptions of the rugged landscape and the tumultuous emotions of its characters. Wren's prose is rich and evocative, drawing the reader into a world where passion and tragedy intertwine. The narrative unfolds with a sense of urgency, keeping the reader on the edge of their seat till the very end. This literary masterpiece is a must-read for those who appreciate classic storytelling and timeless themes. P. C. Wren, a British author and soldier, draws upon his own experiences in the military to infuse 'Driftwood Spars' with a sense of authenticity and depth. His keen observation of human nature and the complexities of relationships shine through in this novel, adding layers of realism to the narrative. Wren's background gives the story a unique perspective that sets it apart from other works of fiction. I highly recommend 'Driftwood Spars' to readers who are looking for a captivating and emotional journey through the windswept cliffs of Cornwall. This novel will resonate with those who enjoy historical romance and adventure, as well as fans of classic literature.

Autoren/Hrsg.

Wren, P. C.

Weitere Mitwirkende

Barrett, Shawn

Leseproben

Chapter III.
The Woman

Table of Contents

(And Augustus Grabble; General Murger; Sergeant-Major Lawrence-Smith; Mr. and Mrs. Cornelius Gosling-Green; Mr. Horace Faggit; as well as a reformed JOHN ROBIN ROSS-ELLISON.)

§ 1. Mr. Grobble

Table of Contents

There was something very maidenly about the appearance of Augustus Clarence Percy Marmaduke Grobble. One could not imagine him doing anything unfashionable, perspiry, rough or rude; nor could one possibly imagine him doing anything ruthless, fine, terrible, strong or difficult.

One expected his hose to be of the same tint as his shirt and handkerchief, his dress-trousers to be braided, his tie to be delicate and beautiful, his dainty shoes to be laced with black silk ribbon,—but one would never expect him to go tiger-shooting, to ride a gay and giddy young horse, to box, or to do his own cooking and washing in the desert or jungle.

Augustus had been at College during that bright brief period of the attempted apotheosis of the dirty-minded little Decadent whose stock in trade was a few Aubrey Beardsley drawings, a widow's-cruse-like bottle of Green Chartreuse, an Oscar Wilde book, some dubious blue china, some floppy ties, an assortment of second-hand epigrams, scent and scented tobacco, a nil admirari attitude and long weird hair.

Augustus had become a Decadent—a silly harmless conventionally-unconventional Decadent. But, as Carey, a contemporary Rugger blood, coarsely remarked, he hadn't the innards to go far wrong.

It was part of his cheap and childish ritual as a Decadent to draw the curtains after breakfast, light candles, place the flask of Green Chartreuse and a liqueur-glass on the table, drop one drip of the liquid into the glass, burn a stinking pastille of incense, place a Birmingham "god" or an opening lily before him, ruffle his hair, and sprawl on the sofa with a wicked French novel he could not read—hoping for visitors and an audience.

If any fellow dropped in and, very naturally, exclaimed, "What the devil are you doing?" he would reply:—

"Wha'? Oh, sunligh'? Very vulgar thing sunligh'. Art is always superior to Nature. You love the garish day being a gross Philistine, wha'? Now I only live at night. Glorious wicked nigh'. So I make my own nigh'. Wha'? Have some Green Chartreuse—only drink fit for a Hedonist. I drink its colour and I taste its glorious greenness. Ichor and Nectar of Helicon and the Pierian Spring. I loved a Wooman once, with eyes of just that glowing glorious green and a soul of ruby red. I called her my Emerald-eyed, Ruby-souled Devil, and we drank together deep draughts of the red red Wine of Life——"

Sometimes the visitor would say: "Look here, Grobb, you ought to be in the Zoo, you know. There's a lot there like you, all in one big cage," or similar words of disapproval.

Sometimes a young fresher would be impressed, especially if he had been brought up by Aunts in a Vicarage, and would also become a Decadent.

During vac. the Decadents would sometimes meet in Town, and See Life—a singularly uninteresting and unattractive side of Life (much more like Death), and the better men among them—better because of a little sincerity and pluck—would achieve a petty and rather sordid "adventure" perhaps.

Augustus had no head for Mathematics and no gift for Languages, while his Classics had always been a trifle more than shaky. History bored him—so he read Moral Philosophy.

There is a somewhat dull market for second-hand and third-class Moral Philosophy in England, so Augustus took his to India. In the first college that he adorned his classes rapidly dwindled to nothing, and the College Board dispensed with the services of Augustus, who passed on to another College in another Province, leaving behind him an odour of moral dirtiness, debt, and decadence. Quite genuine decadence this time, with nothing picturesque about it, involving doctors' bills, alimony, and other the fine crops of wild-oat sowing.

At Gungapur he determined to "settle down," to "turn over a new leaf," and laid a good space of paving-stone upon his road to reward.

He gave up the morning nip, docked the number of cocktails, went to bed before two, took a little gentle exercise, met Mrs. Pat Dearman—and (like Mr. Robin Ross-Ellison, General Miltiades Murger and many another) succumbed at once.

Mrs. Pat Dearman had come to India (as Miss Cleopatra Diamond Brighte) to see her brother, Dickie Honor Brighte, at Gungapur, and much interested to see, also, a Mr. Dearman whom, in his letters to her, Dickie had described as "a jolly old buster, simply full of money, and fairly spoiling for a wife to help him blew it in." She had not only seen him but had, as she wrote to acidulous Auntie Priscilla at the Vicarage, "actually married him after a week's acquaintance—fancy!—the last thing in the world she had ever supposed … etc." (Auntie Priscilla had smiled in her peculiarly unpleasant way as the artless letter enlarged upon the strangeness of her ingenuous niece's marrying the rich man about whom her innocent-minded brother had written so much.)

Having thoroughly enjoyed a most expensive and lavish honeymoon, Mrs. Pat Dearman had settled down to make her good husband happy, to have a good time and to do any amount of Good to other people—especially to young men—who have so many temptations, are so thoughtless, and who easily become the prey of such dreadful people and such dreadful habits.

Now it is to be borne in mind that Mrs. Dearman's Good Time was marred to some extent by her unreasoning dislike of all Indians, a dislike which grew into a loathing hatred, born and bred of her ignorance of the language, customs, beliefs and ideals of the people among whom she lived, and from whom her husband's great wealth sprang.

To Augustus—fresh from very gilded gold, painted lilies and highly perfumed violets—she seemed a vision of delight, a blessed damozel, a living Salvation.

"Incedit dea aperta," he murmured to himself, and wondered whether he had got the quotation right. Being a weak young gentleman, he straightway yearned to lead a Beautiful Life so as to be worthy to live in the same world with her, and did it—for a little while. He became a teetotaller, he went to bed at ten and rose at five—going forth into the innocent pure morning and hugging his new Goodness to his soul as he composed odes and sonnets to Mrs. Pat Dearman. So far so excellent—but in Augustus was no depth of earth, and speedily he withered away. And his reformation was a house built upon sand, for, even at its pinnacle, it was compatible with the practising of sweet and pure expressions before the glass, the giving of much time to the discovery of the really most successful location of the parting in his long hair, the intentional entangling of his fingers with those of the plump and pretty young lady (very brunette) in Rightaway & Mademore's, what time she handed him "ties to match his eyes," as he requested.

It was really only a change of pose. The attitude now was: "I, young as you behold me, am old and weary of sin. I have Passed through the Fires. Give me beauty and give me peace. I have done with the World and its Dead Sea Fruit. There is no God but Beauty, and Woman is its Prophet." And he improved in appearance, grew thinner, shook off a veritable Old Man of the Sea in the shape of a persistent pimple which went ill with the Higher Aestheticism, and achieved great things in delicate socks, sweet shirts, dream ties, a thumb ring and really pretty shoes.

In the presence of Mrs. Pat Dearman he looked sad, smouldering, despairing and Fighting-against-his-Lower-Self, when not looking Young-but-Hopelessly-Depraved-though-Yearning-for-Better-Things. And he flung out quick epigrams, sighed heavily, talked brilliantly and wildly, and then suppressed a groan. Sometimes the pose of, "Dear Lady, I could kiss the hem of your garment for taking an interest in me and my past—but it is too lurid for me to speak of it, or for you to understand it if I did," would appear for a moment, and sometimes that of, "Oh, help me—or my soul must drown. Ah, leave me not. If I have sinned I have suffered, and in your hands lie my Heaven and my Hell." Such shocking words were never uttered of course—but there are few things more real than an atmosphere, and Augustus Clarence could always get his atmosphere all right.

And Mrs. Pat Dearman (who had come almost straight from a vicarage, a vicar papa and a vicarish aunt, to an elderly, uxorious husband and untrammelled freedom, and knew as much of the World as a little bunny rabbit whom its mother has not brought yet out into the warren for its first season), was mightily intrigued.

She felt motherly to the poor boy at first, being only two years his junior; then sisterly; and, later, very friendly indeed.

Let it be clearly understood that Mrs. Pat Dearman was a thoroughly good, pure-minded woman, incapable of deceiving her husband, and both innocent and ignorant to a remarkable degree. She was the product of an unnatural, specialized atmosphere of moral supermanity, the secluded life, and the careful suppression of healthy, natural instincts. In justice to Augustus Clarence also it must be stated that the impulse to decency, though transient, was genuine as far as it went, and that he would as soon have thought of cutting his long beautiful hair as of thinking evil in connection with Mrs. Pat Dearman.

Yes, Mrs. Pat Dearman was mightily intrigued—and quickly came to the conclusion that it was her plain and bounden duty to "save" the poor, dear boy—though from...