Buch, Englisch, 200 Seiten, Paperback, Format (B × H): 152 mm x 226 mm, Gewicht: 318 g
Studies in a Dreadful Fascination
Buch, Englisch, 200 Seiten, Paperback, Format (B × H): 152 mm x 226 mm, Gewicht: 318 g
ISBN: 978-0-8173-5961-4
Verlag: University of Alabama Press
A probing and holistic meditation on the key question: Why do we continue to make art, and thus beauty, out of war?
Beautiful War: Studies in a Dreadful Fascination is a wide-ranging exploration of armed conflict as depicted in art that illustrates the constant presence of war in our everyday lives. Philip D. Beidler investigates the unending assimilation and pervasive presence of the idea of war in popular culture, the impulses behind the making of art out of war, and the unending and debatably aimless trajectories of war itself.
Beidler's critical scope spans from Shakespeare's plays, through the Victorian battle paintings of Lady Butler, into the post–World War I writings of F. Scott Fitzgerald and Virginia Woolf, and up to twenty-first-century films such as The Hurt Locker and Extremely Loud and Incredibly Close. As these works of art have become ubiquitous in contemporary culture, the many faces of war clearly spill over into our art and media, and Beidler argues that these portrayals in turn shift the perception of war from a savage truth to a concept.
Beautiful War argues that the representation of war in the arts has always been, and continues to be, an incredibly powerful force. Incorporating painting, music, photography, literature, and film, Beidler traces a disturbing but fundamental truth: that war has always provided an aesthetic inspiration while serving ends as various and complex as ideological or geopolitical history, public memory, and mass entertainment.
Beautiful War is a bold and vivid account of the role of war and military conflict as a subject of art that offers much of value to literary and cultural critics, historians, veterans, students of art history and communication studies, and those interested in expanding their understanding of art and media's influence on contemporary values and memories of the past.
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Kunst Kunstformen, Kunsthandwerk
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio
- Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft
- Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften
- Sozialwissenschaften Politikwissenschaft Militärwesen
- Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Kulturwissenschaften
- Geisteswissenschaften Geschichtswissenschaft Geschichtswissenschaft Allgemein
Weitere Infos & Material
- List of Figures
- Acknowledgments
- Introduction: A Dreadful Fascination
- 1. Arms and the Bard: Soldiering in Shakespeare
- 2. Bury Their Hearts at Horseshoe Bend
- 3. Ted Turner et al. at Gettysburg; or, Reenactors in the Attic
- 4. What Lady Butler Knew
- 5. Qingdao and the Archaeologies of War
- 6. Ralph Vaughan Williams's Long Journey Out of War
- 7. History and Memory in the Great War Paintings of John Singer Sargent
- 8. The Great Party Crasher: Mrs. Dalloway, The Great Gatsby, and the Cultures of World War I Remembering
- 9. What Kurt Vonnegut Saw in World War II that Made Him Insane (Along with Billy Pilgrim, Rabo Karabekian, Eliot Rosewater, and Others)
- 10. Script by Stephen Crane, Novel by John Huston, Movie by MGM
- 11. In the Museo de la Revolucíon; or, The Ghost of José Martí
- 12. By the Numbers: Americans, Vietnamese, and the Figures of Sacrifice
- Conclusion: The Forever Wars
- Notes on Sources and Further Reading
- Index




