Buch, Englisch, 462 Seiten, Format (B × H): 190 mm x 234 mm, Gewicht: 973 g
Buch, Englisch, 462 Seiten, Format (B × H): 190 mm x 234 mm, Gewicht: 973 g
ISBN: 978-0-240-81397-4
Verlag: Routledge
Zielgruppe
Film students, aspiring directors and editors, film enthusiasts, professional filmmakers and editors
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
Introduction
Section I History of Film Editing
Chapter 1: The Silent Period
Chapter 2: The Early Sound Film
Chapter 3: The Influence of the Documentary
Chapter 4: The Influence of the Popular Arts
Chapter 5: Editors Who Became Directors
Chapter 6: Experiments in Editing: Alfred Hitchcock
Chapter 7: New Technologies
Chapter 8: International Advances
Chapter 9: The Influence of Television and Theatre
Chapter 10: New Challenges to Filmic Narrative Conventions
Chapter 11: The MTV Influence on Editing I
Chapter 12: The MTV Influence on Editing II
Chapter 13: Changes in Pace
Chapter 14: the Appropriation of Style I: Imitation and Innovation
Chapter 15: The Appropriation of Style II: Limitation and Innovation
Chapter 16: The Appropriation of Style III: Digital Reality
Section II: Goals of Editing (new)
Chapter 17: Editing for Narrative Clarity (new)
Chapter 18: Editing for Dramatic Emphasis (new)
Chapter 19: Editing for Subtext (new)
Chapter 20: Editing for Aesthetics (new)
Section III: Editing for the Genre
Chapter 21: Action
Chapter 22: Dialogue
Chapter 23: Comedy
Chapter 24: Documentary
Chapter 25: Imaginative Documentary
Chapter 26: Innovations in Documentary I
Chapter 27: Innovations in Documentary II
Chapter 28: Ideas and Sound
Section IV Principles of Editing
Chapter 29: The Picture Edit and Continuity
Chapter 30: The Picture Edit and Pace
Chapter 31: The Sound Edit and Clarity
Chapter 32: The Sound Edit and Creative Sound
Chapter 33: Innovations of Sound
Chapter 34: Nonlinear Editing and Digital Technology I
Chapter 35: Nonlinear Editing and Digital Technology II
Chapter 36: Conclusion
Appendix A: Filmography
Glossary
Selected Bibliography
Index