Buch, Englisch, 272 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 421 g
Reihe: The New Middle Ages
Grief, Guilt, and Hypocrisy
Buch, Englisch, 272 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 421 g
Reihe: The New Middle Ages
ISBN: 978-1-349-28961-5
Verlag: Palgrave Macmillan US
Exploration of the emotionologies of several medieval, romance emotional communities through both fictional and non-fictional narratives. The contributors analyze texts from different linguistic traditions and different periods, but they all focus on women characters.
Zielgruppe
Research
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft
- Geisteswissenschaften Literaturwissenschaft Literarische Strömungen & Epochen
- Sozialwissenschaften Soziologie | Soziale Arbeit Soziale Gruppen/Soziale Themen Gender Studies, Geschlechtersoziologie
- Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Kultur- und Ideengeschichte
- Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Europäische Geschichte
Weitere Infos & Material
The Inner Life of Women in Medieval Romance Literature; J.Rider Order, Anarchy and Emotion in the Old French Philomena; K.G.Casebier What Was She Thinking? Ysolt on the Edge; B.Grigoriu Moral Posturing: Virtue in Christine de Pisan's Livre de Trois Vertus; S.C.Mitchell Gesture, Emotion, and Humanity: Depictions of Mélusine in the Upton House Bearsted Fragments; T.Colwell Is She Angry or Just Sad? Grief and Sorrow in the Songs of the Trobairitz; H.Verhoosel Between Concealment and Eloquence: The Idea of the Ideal Woman in Medieval Provençal Literature; J.Rudin Spiritual and Biological Mothering in Berceo's Vida de Santa Oria; E.C.Francomano Writing as Resistance: Self and Survival in Leonor López de Córdoba and Teresa de Cartagena; V.Rivera-Cordero Between Boccaccio and Chaucer: The Limits of Female Interiority in the Knight's Tale; J.Friedman In Laura's Shadow: Casting Female Humanists as Petrarchan Beloveds in Quattrocento Letters; A.A.Feng