Lerner and Loewe's My Fair Lady

1. Auflage 2016
ISBN: 978-1-138-96006-0
Verlag: Taylor & Francis Ltd

Buch, Englisch, 104 Seiten, Format (B × H): 153 mm x 126 mm, Gewicht: 190 g

Reihe: The Fourth Wall

"An Englishman's way of speaking absolutely classifies him,
The moment he talks he makes some other Englishman despise him." - Henry

George Bernard Shaw famously refused to permit any play of his "to be degraded into an operetta or set to any music except its own." Allowing his beloved Pygmalion to be supplanted by a comic opera was therefore unthinkable; yet Lerner and Loewe transformed it into My Fair Lady (1956), a musical that was to delight audiences and critics alike. By famously reversing Shaw’s original ending, the show even dared to establish a cunningly romantic ending.

Keith Garebian delves into the libretto for a fresh take, and explores biographies of the show’s principal artists to discover how their roles intersected with real life.

Rex Harrison was an alpha male onstage and off, Julie Andrews struggled with her ‘chaste diva’ image, and the direction of the sexually ambiguous Moss Hartcontributed to the musical’s sexual coding.

Zielgruppe

General, Postgraduate, Professional Practice & Development, and Undergraduate

Autoren/Hrsg.

Garebian, Keith

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatergeschichte
• Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft: Dramen und Dramatiker

Inhaltsverzeichnis

Preface 1. Rex Harrison: Alpha Male 2. Julie Andrews: Chaste Vocal Diva 3. Moss Hart: Sexually Ambiguous Dazzler 4. "Why Can’t a Woman Be More Like a Man?" 5. Queer Meanings Conclusion Bibliography

Über Autor(innen)

Keith Garebian is a freelance literary and theatre critic, and an award-winning author and poet.