Buch, Englisch, 227 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 376 g
Buch, Englisch, 227 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 376 g
Reihe: Creativity Theory and Action in Education
ISBN: 978-3-031-14551-3
Verlag: Springer
This book explores the complex, yet critical, relationship between technology and creativity, specifically in educational contexts. Creativity is important for success in today’s rapidly changing, radically contingent and hyperconnected world. This is even more relevant in the context of teaching and learning—where the psychological, sociological and cultural aspects of human learning confront the challenges of a rapidly changing, technologically saturated world.
Written by some of the foremost thinkers and researchers in the area of creativity and/or technology, the chapters in this volume examine the impact of recent and future technologies on creativity, teaching and learning. Individually and collectively, they help us develop an understanding of this nexus of creativity and technology for education. They offer new perspectives on this rapidly evolving future—exploring issues, paradoxes, tensions, and points of interest for creativity and technology. They position these issues in ways that consider implications for thinking, learning, teaching, and education in general.Zielgruppe
Research
Autoren/Hrsg.
Fachgebiete
- Mathematik | Informatik EDV | Informatik Informatik Künstliche Intelligenz Maschinelles Lernen
- Sozialwissenschaften Pädagogik Lehrerausbildung, Unterricht & Didaktik Methoden des Lehrens und Lernens
- Sozialwissenschaften Pädagogik Lehrerausbildung, Unterricht & Didaktik E-Learning, Bildungstechnologie
- Sozialwissenschaften Psychologie Allgemeine Psychologie Entwicklungspsychologie Pädagogische Psychologie
- Sozialwissenschaften Pädagogik Pädagogik Pädagogische Psychologie
- Sozialwissenschaften Pädagogik Lehrerausbildung, Unterricht & Didaktik Allgemeine Didaktik Kunst, Musik, Theater (Unterricht & Didaktik)
Weitere Infos & Material
Preface
Chapter 1. Blueprints for a Creativity Curriculum (Anthony Brandt)
Chapter 2. The Intersection of Human and Artificial Creativity (David H. Cropley et al)
Chapter 3. Conceiving Creativity and Learning in a World of Artificial Intelligence—A Thinking Model (Edwin Creely)
Chapter 4. East Asian Creative Ecologies in Networked Educational Worlds (Dan X. Harris)
Chapter 5. Room to Run: Using Technology to Move Creativity into the Classroom (Jonathan A. Plucker et al)
Chapter 6. Creativity, Embodiment and Ensembles through Technological Interactions in Critical-Creative Higher Education (Tatiana Chemi)Chapter 7. The Future of the Fine Arts (Aaron Kozbelt)
Chapter 8. Embodied Creativity and Technology: A Complex Relationship (Paula Thomson & S. Victoria Jaque)Chapter 9. What Else Can This Be? Creativity as an Iterative Practice (Rabbi Adina Allen & Pat B. Allen)
Chapter 10. Creative Pedagogies with Technology: Future Proofing Teaching Training in Music (Leon de Bruin & Bradley Merrick)Chapter 11. Why we should take a second look at the politics of creativity: The dangers of a celebratory mode (Shakuntala Banaji)
Chapter 12. Teaching (for) Experimental Creativity (David Galenson)Chapter 13. How not to kill creativity (Yong Zhao)
Chapter 14. Engaging Uncertainty: Principles and Provocations for Promoting Creative Learning Futures (Ronald A. Beghetto) Chapter 15. Dialogical Provocations: A Creative Trialogue (Vlad Petre Glaveanu)



