The Venetian Origins of the Commedia dell'Arte

1. Auflage 2013
ISBN: 978-0-415-69875-7
Verlag: Taylor & Francis

Buch, Englisch, 272 Seiten, Format (B × H): 140 mm x 216 mm, Gewicht: 463 g

The Venetian Origins of the Commedia dell'Arte is a striking new enquiry into the late-Renaissance stirrings of professional secular comedy in Venice, and their connection to the development of what came to be known as the Commedia dell’Arte. The book contends that through a symbiotic collaboration between patrician amateurs and plebeian professionals, innovative forms of comedy developed in the Venice region, fusing ‘high’ and ‘low’ culture in a provocative mix that had a truly mass appeal.

Rich with anecdotes, diary entries and literary – often ribald – comic passages, Peter Jordan's central argument has important implications for the study of Venetian art, popular theatre and European cultural history.

Autoren/Hrsg.

Jordan, Peter

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatergeschichte
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatertheorie, Ästhetik des Theaters, Theaterkritik

Inhaltsverzeichnis

Part 1. The 'Commedia dell’Arte' The comedy of the profession Ancient and modern characteristics Innovation: risks and rewards The rise of the comic Part 2. Laughter, Humour and Comedy Evolutionary origins From ‘play panting’ to the ‘belly laugh’ The paradox Professional comedians Part 3. Magnifico and Zanni Venice and Bergamo First mentions The comedy of status A cultural lightning rod Part 4. Why Venice? The Most Serene Republic On the cusp of decline Freedom and diversity The winning combination A theatre for all Part. 5 The Companies of the Hose Background Names and titles Family ties Statutes and women Saint Ursula and the virgins Marriage and comedy Part 6. Professionals and Amateurs The theatre of the Companions of the Hose Comic innovators – Angelo Beolco and Pietro Aretino Innovative comics – Domenico Tagliacalze and Zan Polo Other contributions Part 7. Pantalone: A Case Study ‘Magnifico messer Pantalone de’ Bisognosi’ The name The costume The mask and other accoutrements The character Pantalone’s ‘Caprices’ Part 8. The First Companies and their Connections 1574 – The republic entertains royalty The success of the Gelosi Trouble with the Church A web of patronage Security and the seeds of demise Part 9. A Lingering Legacy Two centuries of evolution: Shakespeare; Jonson; Molière; Marivaux; Gozzi Goldoni’s reform Persistent traces Attempts at revival Museum piece or living art?

Über Autor(innen)

Dr Jordan has been a theatre practitioner for over thirty years, touring throughout Europe and elsewhere, performing in English, Italian and Cantonese. He was a founder member of the Fortunati and an actor with TAG Teatro of Venice. He has variously acted in, directed and translated plays by Goldoni, Ruzante, Molière, Marivaux and Shakespeare. As an instructor, he has worked at a number of leading drama schools and universities, and was for many years Head of Acting at the Hong Kong Academy for Performing Arts. Apart from his acting and directing credits, his professional portfolio also includes fight direction, movement choreography, script development, musical performance and composition. His productions have toured to Canada and Australia. In recent years, he directed and composed for award-winning versions of Les Misérables, Cyrano de Bergerac and Friedrich Dürrenmatt’s The Visit, as well as directing the world premiere of Ho Chi Minh in Hong Kong.