Buch, Englisch, 846 Seiten, Format (B × H): 179 mm x 254 mm, Gewicht: 1601 g
Reihe: Oxford Handbooks
Buch, Englisch, 846 Seiten, Format (B × H): 179 mm x 254 mm, Gewicht: 1601 g
Reihe: Oxford Handbooks
ISBN: 978-0-19-956610-5
Verlag: Oxford University Press
Situated within the Oxford Handbooks to Literature series, the group of Oxford Handbooks to Shakespeare are designed to record past and present investigations and renewed and revised judgments by both familiar and younger Shakespearean specialists. Each of these volumes is edited by one or more internationally distinguished Shakespeareans; together, they comprehensively survey the entire field.
An essential resource for the study of Shakespeare, The Oxford Handbook of Shakespeare is edited by esteemed scholar Arthur Kinney and contains forty specially written essays. It provides fresh and imaginative readings of his plays and poems, reflects on the current state of Shakespeare Studies, and suggests the likely future directions it will take. The Handbook is divided into five sections: 'Texts' explores how Shakespeare wrote, who he collaborated with, the ways in which his works
were transmitted, and the reactions of his early readers; 'Conditions' examines the economic, social, artistic, and linguistic forces at play on Shakespeare; 'Works' discusses the various stages of his career; 'Performances' is concerned with issues such as the reception of his plays, the theatre business,
and film adaptations; and 'Current Speculations' includes essays on topics ranging from the role of philosophical thought and the influence of classical sources to the relevance of empire, technology, religion, and law. By covering the range of Shakespeare's work in his time and ours, this myriad-minded book deepens and enriches our understanding of the great poet and unparalleled playwright's accomplishments.
Zielgruppe
Students and scholars of Shakespeare
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
ARTHUR F KINNEY: Introduction
I. TEXTS
1: HUGH CRAIG: Authorship
2: MACDONALD P. JACKSON: Collaboration
3: ARTHUR F. MAROTTI AND LAURA ESTILL: Manuscript Circulation
4: ANN THOMPSON: Quarto and Folio
5: GRACE IOPPOLO: Revisions
6: MATTEO A. PANGALLO: Dramatic Meter
7: ADAM G. HOOKS: Book Trade
8: SONIA MASSAI: Early Readers
II. CONDITIONS
9: IAN ARCHER: Economy
10: JAMES KEARNEY: Status
11: CATHERINE RICHARDSON: Domestic Life
12: ANDREW HISCOCK: Gender
13: LYNNE MAGNUSSON: Language
14: BRIAN GIBBONS: Dramaturgy
15: JANET CLARE: Censorship
III. WORKS
16: DAVID BEVINGTON: Early Shakespeare
17: JAMES MARINO: Middle Shakespeare
18: CATHERINE BATES: Poetry
19: ADAM ZUCKER: Late Shakespeare
IV. PERFORMANCES
20: ALAN SOMERSET: Local Records
21: ANDREW GURR: Patronage
22: ROSLYN L. KNUTSON: Repertory
23: JANE HWANG DEGENHARDT: Foreign Worlds
24: MELISSA AARON: Theater as Business
25: TANYA POLLARD: Audience Reception
26: LAURY MAGNUS: Shakespeare on Film
27: DOUGLAS M. LANIER: Marketing Shakespeare
V. CURRENT SPECULATIONS
28: JESSICA WOLFE: Classics
29: CHRISTY DESMET: Character
30: REBECCA LEMON: Law
31: CATHY SHRANK: Formation of Nationhood
32: ANDREW HADFIELD: Republicanism
33: BRIAN C. LOCKEY: Empire
34: TZACHI ZAMIR: Philosophy
35: LARS ENGLE: Pragmatism
36: BRIAN CUMMINGS: Religion
37: FREDERICK KIEFER: Architecture
38: ADAM MAX COHEN: Science and Technology
39: FRAN TEAGUE: Shakespeare and America
40: TON HOENSLAARS: Shakespeare and the World




