Cinema of Me

Erscheinungsjahr 2012
ISBN: 978-0-231-16215-9
Verlag: Columbia University Press

Buch, Englisch, 288 Seiten, Print PDF, Format (B × H): 157 mm x 234 mm, Gewicht: 504 g

Reihe: Nonfictions

When a filmmaker makes a film with herself as a subject, she is already divided as both the subject matter of the film and the subject making the film. The two senses of the word are immediately in play; the matter and the maker thus the two ways of being subjectified as both subject and object. Subjectivity finds its filmic expression, not surprisingly, in very personal ways, yet it is nonetheless shaped by and in relation to collective expressions of identity that can transform the cinema of 'me' into the cinema of 'we'. Leading scholars and practitioners of first-person film are brought together in this groundbreaking collection to consider the theoretical, ideological, and aesthetic challenges wrought by this form of filmmaking in its diverse cultural, geographical, and political contexts.

Autoren/Hrsg.

Lebow, Alisa

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgeschichte

Inhaltsverzeichnis

AcknowledgmentsContributorsIntroduction, by Alisa LebowPart 1. First Person SingularThe Role of History in the Individual: Working Notes for a Film, by Michael ChananThe Curious Incident of the Dog in the Nighttime, by Andrés Di TellaImpersonations of Glauber Rocha by Glauber Rocha, by José GattiThe Self-portrait Film: Michelangelo's Last Gaze, by Laura RascaroliCycles of Life: El cielo gira and Spanish Autobiographical Documentary, by Efrén CuevasFrom the Interior: Space, Time and Queer Discursivity in Kamal Aljafari's The Roof, by Peter LimbrickPart 2. First Person PluralJennifer Fox's Transcultural Talking Cure: Flying: Confessions of a Free Woman, by Angelica FennerSecrets and Inner Voices: The Self and Subjectivity in Contemporary Indian Documentary, by Sabeena GadihokeIn the Eye of the Storm: The Political Stake of Israeli i-Movies, by Linda DittmarPart 3. Diasporic SubjectivityLooking for Home in Home Movies: The Home Mode in Caribbean Diaspora First Person Film and Video Practice, by Elspeth Kydd'If I Am (Not) for Myself': Michelle Citron's Diasporic First Person(s), by Sophie MayerThe Camera as Peripatetic Migration Machine, by Alisa LebowPart 4. Virtual SubjectivityBlogging Identity.com, by Peter HughesThe ME and the WE: A First Person Meditation on Media Translation in Three Acts, by Alexandra JuhaszFilmographyIndex

Über Autor(innen)

Alisa Lebow is a Reader in Film Studies at the University of Sussex. Her research is generally concerned with issues related to documentary film, recently to do with questions of the political in documentary. Her book First Person Jewish (University of Minnesota Press, 2008) explores aspects of the representation of self and subjectivity in first person film. She is also a filmmaker whose films include Outlaw (1994), Treyf (1998) and For the Record: The World Tribunal on Iraq (2007).