African American Art and Artists

1. Auflage, Revised and Expanded Auflage 2003
ISBN: 978-0-520-23935-7
Verlag: University of California Press

Buch, Englisch, 360 Seiten, Trade Paperback, Format (B × H): 214 mm x 274 mm, Gewicht: 1143 g

Samella Lewis has brought African American Art and Artists fully up to date in this revised and expanded edition. The book now looks at the works and lives of artists from the eighteenth century to the present, including new work in traditional media as well as in installation art, mixed media, and digital/computer art. Mary Jane Hewitt, an author, curator, and longtime friend of Samella Lewis's, has written an introduction to the new edition. Generously and handsomely illustrated, the book continues to reveal the rich legacy of work by African American artists, whose art is now included in the permanent collections of national and international museums as well as in major private collections.

Autoren/Hrsg.

Lewis, Samella

Weitere Mitwirkende

Coleman, Floyd

Hewitt, Mary Jane

Fachgebiete

• Geisteswissenschaften Kunst Kunst, allgemein Kunstpsychologie und -soziologie
• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: Barock, Klassizismus
• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: 19. Jahrhundert
• Geisteswissenschaften Kunst Kunststile Afrikanische Kunst
• Sozialwissenschaften Ethnologie | Volkskunde Ethnologie Kunstethnologie, Musikethnologie
• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: Präkolumbisch
• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: 20./21. Jahrhundert
• Geisteswissenschaften Kunst Kunststile Indigene Kunst, Volkskunst

Inhaltsverzeichnis

Foreword
Introduction to the Revised and Expanded Edition
Preface
Acknowledgments
Introduction

1619-1865: CULTURAL DEPRIVATION AND SLAVERY
The Craft Heritage as an Economic Resource
The Emergence of Professional Artists
Freemen and the Abolitionist Movement
Discrimination and the Problem of Patronage

1865-1920: EMANCIPATION AND CULTURAL DILEMMA
The First Major Landscape Painter
The Diverse Quests for Professional Status
American Reliance on the European Artistic Tradition

192-1940: NEW AMERICANISM AND ETHNIC IDENTITY
The Spread of the Harlem Movement
The Self-Taught Individualists

1940-1960: SOCIAL AND POLITICAL AWARENESS
Mural Art as Cultural and Social Commentary
The WPA and Its Legacy

1960-1990: POLITICAL AND CULTURAL AWARENESS
Painting
The Flag: A Symbol of Repression
Reality and the Dream
Symbolism: Geometric, Organic, and Figurative
Mixed-Media Assemblages
Sculpture: Additive or Direct
Art/Craft
Drawing
Graphic Processes: Economical and Aesthetic Approaches to Communication
Performances/Installations/Environments

1990-2002: FROM PAINTING TO TECHNOLOGY: ART BEFORE AND INTO THE NEW MILLENNIUM
Painting
Sculpture
Installation Art
Mixed-Media Art
Digital/Computer Art

Conclusion
Bibliography
Index

Über Autor(innen)

Samella Lewis is Professor Emerita of Art History, Scripps College, and the author of The Art of Elizabeth Catlett (2000) and Caribbean Visions: Contemporary Painting and Sculpture (1995).