Buch, Englisch, 384 Seiten, Format (B × H): 179 mm x 244 mm, Gewicht: 646 g
Buch, Englisch, 384 Seiten, Format (B × H): 179 mm x 244 mm, Gewicht: 646 g
ISBN: 978-1-138-27948-3
Verlag: Taylor & Francis Ltd
Autoren/Hrsg.
Weitere Infos & Material
Contents: The meanings of nudity in medieval art: an introduction, Sherry C.M. Lindquist; The survival and reception of the classical nude: Venus in the Middle Ages, Jane C. Long; Male nudes and embodied spirituality in Romanesque sculpture, Kirk Ambrose; The naked jongleur in the margins: manuscript contexts for social meanings, Elizabeth Moore Hunt; A son's gaze on Noah: case or cause of viriliphobia?, Madeleine H. Caviness; Uncovering the meanings of nudity in the Belles Heures of Jean, Duke of Berry, Martha Easton; Pubics and privates: body hair in late medieval art, Penny Howell Jolly; Nudity as natural garment: seeing through Adam and Eve's skin, Linda Seidel; Integritas, proportio and claritas: the body in Tuscan representations of Baptism 1300-1450, Véronique Dalmasso; Christ bared: problems of viewing and powers of exposing, Corine Schleif; Sin or sexual pleasure? A little-known nude bather in a Flemish Book of Hours, Diane Wolfthal; Reconsidering the nude: Northern tradition and Venetian innovation, Paula Nuttall; Epilogue, Madeline H. Caviness; Indexes.