Ma There is no soundtrack

Rethinking art, media, and the audio-visual contract
1. Auflage 2020
ISBN: 978-1-5261-4213-9
Verlag: De Gruyter
Format: PDF
Kopierschutz: PC/MAC/eReader/Tablet

E-Book, Englisch, 280 Seiten

Reihe: Rethinking Art's Histories

There is no soundtrack amplifies new and radical audio-visual relationships in experimental media art. It addresses the lack of diversity in the study of art, media and sound through careful audition of marginalised voices that speak of race, gender, sexuality, indigeneity, colonialism, nationalism, violence and the politics of space.

Autoren/Hrsg.

Ma, Ming-Yuen S.

Fachgebiete

• Geisteswissenschaften Kunst Kunstformen, Kunsthandwerk Installations-, Aktions-, Computer- und Videokunst
• Geisteswissenschaften Kunst Kunstformen, Kunsthandwerk Bildhauerei, Plastik, Denkmäler

Inhaltsverzeichnis

Prologue: film without images
Introduction: rethinking the audio-visual contract
1 Radical otherness: voiceover, autoethnography, performativity
2 History, noise, violence: Christian Marclay’s Guitar Drag
3 Media soundscapes: listening to installation and performance
4 Sounding a politics of space: acoustic communities, aesthetic colonization, and sound imperialism
Epilogue: notes on acoustic time
Index

Über Autor(innen)

Ming-Yuen S. Ma is Professor of Media Studies at Pitzer College, a member of the Claremont Colleges