Folkways Records

Moses Asch and His Encyclopedia of Sound
1. Auflage 2003
ISBN: 978-0-415-93709-2
Verlag: Taylor & Francis

Buch, Englisch, 264 Seiten, Format (B × H): 161 mm x 227 mm, Gewicht: 422 g

In 1949, immigrant recording engineer Moses Asch embarked on a lifelong project: documenting the world of sound produced by mankind, via a small record label called Folkways Records. By the time of his death in 1986, he had amassed an archive of over 2,200 LPs and thousands of hours of tapes; so valuable was this collection that it was purchased by the Smithsonian Institute. Folkways Records is an account of how he built this business, working against all odds, to create a landmark in the history of American music.

Autoren/Hrsg.

Olmsted, Tony

Fachgebiete

• Mathematik | Informatik EDV | Informatik Informatik Tonsignalverarbeitung
• Technische Wissenschaften Sonstige Technologien | Angewandte Technik Signalverarbeitung, Bildverarbeitung, Scanning
• Geisteswissenschaften Musikwissenschaft Musikgattungen
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musikindustrie
• Wirtschaftswissenschaften Wirtschaftssektoren & Branchen Medien-, Informations und Kommunikationswirtschaft Musikindustrie
• Geisteswissenschaften Geschichtswissenschaft Geschichtswissenschaft Allgemein Biographien & Autobiographien: Historisch, Politisch, Militärisch

Inhaltsverzeichnis

Acknowledgments Preface, Michael Asch Introduction 1. Early Influences: 1870s to 1930s The Phonograph and Sound Recording Youth and Family Influences 2. Beginnings: Asch Records The Deal with Stinson First Recordings by Lead Belly, Pete Seeger, and Woody Guthrie 3. Broadening the Mandate: DISC Records of America New Products and Directions Bankruptcy 4. The Birth of Folkways Records The Business Model Overview of Asch's Businesses Building the Catalog 5. The Business of Making Records Manufacture Domestic Distribution Foreign Distribution Marketing and Sales Exploiting the Catalog: Licensing and Contracts 6. Finances Folkways Pioneer Record Sales Moe's Money 7. Easing the Burden: Folkways in the 1960s Reaching the Educational Market Reaching the Pop Market The Folk Revival and New Opportunities: RBF, Broadside, and the revival of DISC Records Return to Normal Operations 8 The Sale of Folkways Conclusion Notes Bibliography Index

Über Autor(innen)

Tony Olmstead is Professor of Anthropology at the University of Alberta, Canada. He has presented several papers on the music business, and is the recipient of several academic awards and fellowships.