Performing Indigenous Culture on Stage and Screen

A Harmony of Frenzy
1. Auflage 2016
ISBN: 978-1-137-59599-7
Verlag: Palgrave Macmillan US

Buch, Englisch, 242 Seiten, HC runder Rücken kaschiert, Format (B × H): 145 mm x 222 mm, Gewicht: 465 g

Examining corporeal expressions of indigenousness from an historical perspective, this book highlights the development of cultural hybridity in New Zealand via the popular performing arts, contributing new understandings of racial, ethnic, and gender identities through performance. The author offers an insightful and welcome examination of New Zealand performing arts via case studies of drama, music, and dance, performed both domestically and internationally. As these examples show, notions of modern New Zealand were shaped and understood in the creation and reception of popular culture. Highlighting embodied indigenous cultures of the past provides a new interpretation of the development of New Zealand's cultural history and adds an unexplored dimension in understanding the relationships between M?ori (indigenous New Zealander) and P?keh? (non-M?ori) throughout the late nineteenth and into the early twentieth centuries.

Zielgruppe

Research

Autoren/Hrsg.

Schultz, Marianne

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Tanz Geschichte des Tanzes
• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Kultur- und Ideengeschichte
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatergeschichte
• Geisteswissenschaften Musikwissenschaft Geschichte der Musik
• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Kulturwissenschaften

Inhaltsverzeichnis

Chapter 1 Prologue/Introduction
Chapter 2 M?ori, New Zealand and Empire on stage
Chapter 3 Alfred Hill and Princess Iwa: M?ori Music and Musical Hybridity
Chapter 4 Performing landscape, people and stories: Rotorua and the Reverend Frederick Augustus Bennett
Chapter 5 A 'Harmony of Frenzy': M?ori in Manhattan 1909-1910
Chapter 6 'Maori-land' on film
Chapter 7 Encore/Conclusion

Über Autor(innen)

Marianne Schultz is Honorary Research Fellow in History at the University of Auckland, New Zealand, and is the Auckland Advisor for DANZ- Dance Aotearoa New Zealand. Marianne danced professionally in the United States and New Zealand and has taught for numerous companies and schools. Her articles and chapters on dance and the performing arts have appeared in Theatre Journal, Dance Research, Melbourne Historical Journal, New Zealand Journal of History, Brolga, Te Ara/ the Encyclopedia of NZ, Moving Oceans: Celebrating Dance in the South Pacific, and Staging the Other in Nineteenth-Century British Drama.