Write My Name

Authorship in the Poetry of Thomas Moore
1. Auflage 2023
ISBN: 978-0-367-54872-8
Verlag: Routledge

Buch, Englisch, 208 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 312 g

Reihe: Poetry and Song in the Age of Revolution

Write My Name: Authorship in the Poetry of Thomas Moore is the first monograph devoted to Moore’s poetry. The focus of the book is on Moore’s poetry and differing formulations of authorship therein. Its scope comprises poetic publications from Moore’s early career, from his Romantic Orientalist writings, and from selected musical works, and political and satirical verse. It shares the strong historicist awareness of much previous scholarship on Moore, but combines this with a range of new and interdisciplinary contexts that are of increasing interest to scholarship in the twenty-first century, and which are rarely adopted as frameworks for viewing Moore’s work: digital humanities, book history, legal history, and textual theory. Ultimately, the book argues for the value of attending to neglected aspects of Moore’s work through analysis of his shifting modes of authorship and their various motivations

Zielgruppe

Postgraduate

Autoren/Hrsg.

Tonra, Justin

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Englische Literatur Amerikanische Literatur
• Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft: Lyrik und Dichter
• Geisteswissenschaften Literaturwissenschaft Literarische Strömungen & Epochen

Inhaltsverzeichnis

Introduction

Chapter one: Of Little Consequence: Pseudonym, Paratext, and Authorship in Moore’s Early Poetry

Chapter two: If England Doesn’t Read Us, Who the Devil Will?: Reprinting Moore in the United States

Chapter three: Cream of the Copyrights: Authorship in the Publication History of Lalla Rookh

Chapter four: Orientalising the Angels: Blasphemy, Copyright, and Revision

Chapter five: These Quick-Reading Times: Distant Reading Moore’s Poetic Style

Conclusion

Über Autor(innen)

Justin Tonra is Lecturer in English at the National University of Ireland Galway. His research interests are in the fields of digital humanities, book history, textual studies and bibliography, and at the intersections of literature and technology. He has previously held positions at University College London and the University of Virginia.