The Visual Culture of Meiji Japan

Negotiating the Transition to Modernity
1. Auflage 2023
ISBN: 978-0-367-63124-6
Verlag: Taylor & Francis

Buch, Englisch, 216 Seiten, Format (B × H): 174 mm x 246 mm, Gewicht: 520 g

Reihe: Routledge Research in Art History

This volume examines the visual culture of Japan’s transition to modernity, from 1868 to the first decades of the twentieth century.

Through this important moment in Japanese history, contributors reflect on Japan’s transcultural artistic imagination vis-a-vis the discernment, negotiation, assimilation, and assemblage of diverse aesthetic concepts and visual pursuits. The collected chapters show how new cultural notions were partially modified and integrated to become the artistic methods of modern Japan, based on the hybridization of major ideologies, visualities, technologies, productions, formulations, and modes of representation. The book presents case studies of creative transformation demonstrating how new concepts and methods were perceived and altered to match views and theories prevalent in Meiji Japan, and by what means different practitioners negotiated between their existing skills and the knowledge generated from incoming ideas to create innovative modes of practice and representation that reflected the specificity of modern Japanese artistic circumstances.

The book will be of interest to scholars working in art history, Japanese studies, Asian studies, and Japanese history, as well as those who use approaches and methods related to globalization, cross-cultural studies, transcultural exchange, and interdisciplinary studies.

Zielgruppe

Postgraduate and Undergraduate

Autoren/Hrsg.

Zohar, Ayelet

Miller, Alison J.

Fachgebiete

• Geisteswissenschaften Kunst Kunststile Asiatische Kunst
• Geisteswissenschaften Kunst Kunstgeschichte

Inhaltsverzeichnis

Introduction. In-Between Temporality and Spatiality: Visual Convergences and Meiji Hybridity

Ayelet Zohar and Alison J. Miller

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Between Kanji and Hiragana: An Allegorical Reading of the Katakana (Non-) Space

Michio Hayashi

- Modernization as Rejection of Westernization: The Case of Japanese Calligraphy

Eugenia Bogdanova-Kummer

- Classical Greece in Japan and Why It Matters: A Postcolonial Perspective

Michael Lucken

- Medievalism, Modernity, and Militarism in Imperial Japan

Oleg Benesch

- Dinner Table Negotiations: Tableware and the presentation of Japan at the Enryokan

Mary Redfern

- Imaging Industry: Woodblock Prints, Factory Women, and Sericulture in Meiji Japan

Alison J. Miller

- Negotiating Realism: Kawabata Gyokusho’s Strive for Modern Japanese Painting

Katharina Rode

- Mural Paintings in late 19th and early 20th century Western-style Public Buildings in Japan

Emiko Yamanashi

- Framing Scenery: A Potential History of Landscape Photography in Colonial Hokkaido

Ayelet Zohar

- Colors of Empire: Watercolor in Meiji Japan

Chinghsin Wu

- Exploring Tokyo’s Hidden Spaces in Nagai Kafu’s Hiyorigeta (Fair-Weather Clogs, 1914) with Charles Baudelaire’s Flâneur and Walter Benjamin’s Porosity

Evelyn Schulz

Über Autor(innen)

Ayelet Zohar is Senior Lecturer of History of Art at Tel Aviv University.

Alison J. Miller is Assistant Professor of Art History at the University of the South (Sewanee).