Buch, Englisch, 320 Seiten, Format (B × H): 153 mm x 255 mm, Gewicht: 736 g
Reihe: DENKT KUNST
Buch, Englisch, 320 Seiten, Format (B × H): 153 mm x 255 mm, Gewicht: 736 g
Reihe: DENKT KUNST
ISBN: 978-3-03734-991-5
Verlag: Diaphanes Verlag
In 1920, the third anniversary of the October Revolution, The Storming of the Winter Palace was performed with a cast of 10,000. But as a reenactment this mass spectacle, directed by Nikolai Evreinov, was deceptive. It was intended to recall something—the storming of the Winter Palace as the beginning of the revolution—that it itself produced as a theatrical medium. This volume reconstructs the event with texts, photographs, and drawings, and shows how not only in the Soviet Union did the photograph of the theatrical “storming” become a historical document of the October Revolution.
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7 - 20Foreword (Sylvia Sasse)21 - 22The Storming of the Winter Palace (1920) (Nikolai Evreinov)23 - 29The Storming of the Winter Palace (Nikolai Evreinov)30 - 49The Storming of the Winter Palace (Nikolai Evreinov)50 - 54The Storming of the Winter Palace (Nikolai Evreinov)55 - 58Open-Air Theater (1920) (Konstantin Derzhavin)59 - 60A Miracle (1920) (Konstantin Derzhavin)61 - 63The Mass as Such (1920) (Konstantin Derzhavin)64 - 66The Storming of the Winter Palace (Konstantin Derzhavin)67 - 68What is required of the Audience during the Production (1920) (Iosif Slepian, Dmitri Tëmkin)69November Eight 1920 (1920) (Lev Nikulin)70 - 74Baltic Sea (1932) (Lev Nikulin)75 - 80On Mass Actions and More Important Things (1932) (Sergei Radlov)81 - 87Nikolai Evreinov (1960) (Iuri Annenkov)88 - 91Mass Spectacles (1960) (Nikolai Petrov)93 - 128Photographs of the 1920 staging in sequence131Announcement of the Decoration of Petrograd during the Third Anniversary Celebrations of October (1920) (Anonymous)132 - 133On the October Celebrations (1920) (Vlagin)134 - 135The Staging of the Storming of the Winter Palace (1920) (Anonymous)136 - 137An Exhibition in Memory of the Great October (1920) (F. Lenski)138At a Rehearsal for the Staging of The Storming of the Winter Palace (1920) (Anonymous)139Motion Pictures and the Staging of The Storming of the Winter Palace (1920) (Anonymous)140 - 141The Storming of the Winter Palace (Anonymous)142Proletarian Action (Anonymous)143 - 147On Uritski Square (Impression of a Muscovite) (1920) (Nikolai Shubski)148 - 151The Storming of the Winter Palace (1920) (Anonymous)152 - 158The Chaos of the Arts (1921) (Arthur Holitscher)159 - 166The Pageants of 1920 (1922) (Adrian Piotrovski)167 - 176The Successes of the New Theater (1922) (Platon Kerzhentsev)177 - 196Theatricalized Life (1926) (René Fülöp-Miller)197 - 211The Monumentalist Style of the Revolutionary Spectacles (1930) (Nina Gourfinkel)212 - 215The Theaters and Pageants of Petrograd in the Epoch of War Communism (1933) (Aleksei Gvozdev, Adrian Piotrovski)216 - 222Cinema and Theater. Nikolai Evreinov (1943) (Sergei Eisenstein)225 - 231History is Written with the Lens (1971) (Leonid Volkov-Lannit)233 - 253Photographs of the theatrical storming of the Winter Palace as historical documents257 - 263Nikolai Evreinov‘s “Revolution In Itself” (Igor Chubarov)269 - 279“History is Written with the Lens”: How the Photo of the Theatrical Storming becomes a Historical Document (Sylvia Sasse)281 - 289Battlefield History: Artistic Reenactments as Participatory Deconstructions of History (Inke Arns)293 - 302List of figures303 - 315Glossary317 - 320Index
7 | - | 20 | Foreword | (Sylvia Sasse) |
21 | - | 22 | The Storming of the Winter Palace (1920) | (Nikolai Evreinov) |
23 | - | 29 | The Storming of the Winter Palace | (Nikolai Evreinov) |
30 | - | 49 | The Storming of the Winter Palace | (Nikolai Evreinov) |
50 | - | 54 | The Storming of the Winter Palace | (Nikolai Evreinov) |
55 | - | 58 | Open-Air Theater (1920) | (Konstantin Derzhavin) |
59 | - | 60 | A Miracle (1920) | (Konstantin Derzhavin) |
61 | - | 63 | The Mass as Such (1920) | (Konstantin Derzhavin) |
64 | - | 66 | The Storming of the Winter Palace | (Konstantin Derzhavin) |
67 | - | 68 | What is required of the Audience during the Production (1920) | (Iosif Slepian, Dmitri Tëmkin) |
69 | November Eight 1920 (1920) | (Lev Nikulin) | ||
70 | - | 74 | Baltic Sea (1932) | (Lev Nikulin) |
75 | - | 80 | On Mass Actions and More Important Things (1932) | (Sergei Radlov) |
81 | - | 87 | Nikolai Evreinov (1960) | (Iuri Annenkov) |
88 | - | 91 | Mass Spectacles (1960) | (Nikolai Petrov) |
93 | - | 128 | Photographs of the 1920 staging in sequence | |
131 | Announcement of the Decoration of Petrograd during the Third Anniversary Celebrations of October (1920) | (Anonymous) | ||
132 | - | 133 | On the October Celebrations (1920) | (Vlagin) |
134 | - | 135 | The Staging of the Storming of the Winter Palace (1920) | (Anonymous) |
136 | - | 137 | An Exhibition in Memory of the Great October (1920) | (F. Lenski) |
138 | At a Rehearsal for the Staging of The Storming of the Winter Palace (1920) | (Anonymous) | ||
139 | Motion Pictures and the Staging of The Storming of the Winter Palace (1920) | (Anonymous) | ||
140 | - | 141 | The Storming of the Winter Palace | (Anonymous) |
142 | Proletarian Action | (Anonymous) | ||
143 | - | 147 | On Uritski Square (Impression of a Muscovite) (1920) | (Nikolai Shubski) |
148 | - | 151 | The Storming of the Winter Palace (1920) | (Anonymous) |
152 | - | 158 | The Chaos of the Arts (1921) | (Arthur Holitscher) |
159 | - | 166 | The Pageants of 1920 (1922) | (Adrian Piotrovski) |
167 | - | 176 | The Successes of the New Theater (1922) | (Platon Kerzhentsev) |
177 | - | 196 | Theatricalized Life (1926) | (René Fülöp-Miller) |
197 | - | 211 | The Monumentalist Style of the Revolutionary Spectacles (1930) | (Nina Gourfinkel) |
212 | - | 215 | The Theaters and Pageants of Petrograd in the Epoch of War Communism (1933) | (Aleksei Gvozdev, Adrian Piotrovski) |
216 | - | 222 | Cinema and Theater. Nikolai Evreinov (1943) | (Sergei Eisenstein) |
225 | - | 231 | History is Written with the Lens (1971) | (Leonid Volkov-Lannit) |
233 | - | 253 | Photographs of the theatrical storming of the Winter Palace as historical documents | |
257 | - | 263 | Nikolai Evreinov‘s “Revolution In Itself” | (Igor Chubarov) |
269 | - | 279 | “History is Written with the Lens”: How the Photo of the Theatrical Storming becomes a Historical Document | (Sylvia Sasse) |
281 | - | 289 | Battlefield History: Artistic Reenactments as Participatory Deconstructions of History | (Inke Arns) |
293 | - | 302 | List of figures | |
303 | - | 315 | Glossary | |
317 | - | 320 | Index |