Art and Monist Philosophy in Nineteenth Century France From Auteuil to Giverny

1. Auflage 2025
ISBN: 978-1-032-49122-6
Verlag: Taylor & Francis Ltd

Buch, Englisch, 190 Seiten, Format (B × H): 174 mm x 246 mm, Gewicht: 350 g

Reihe: Routledge Research in Art History

This is a study of the relation between the fine arts and philosophy in France, from the aftermath of the 1789 revolution to the end of the nineteenth century, when a philosophy of being called “monism” – the concept of a unity of matter and spirit – emerged and became increasingly popular among intellectuals, artists and scientists.

Nina Athanassoglou-Kallmyer traces the evolution and impact of this monist thought and its various permutations as a transformative force on certain aspects of French art and culture – from Romanticism to Impressionism – and as a theoretical backdrop that paved the way to as yet unexplored aspects of a modernist aesthetic. Chapters concentrate on three major artists, Théodore Géricault (1791–1824), Eugène Delacroix (1798–1863) and Claude Monet (1840–1926), and their particular approach to and interpretation of this unitarian concept.

The book will be of interest to scholars working in art history, philosophy and cultural history.

Zielgruppe

Postgraduate and Undergraduate

Autoren/Hrsg.

Athanassoglou-Kallmyer, Nina

Fachgebiete

• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: 19. Jahrhundert Romantik (Kunstgeschichte)

Inhaltsverzeichnis

Acknowledgments

Introduction. The Return of Lucretius

1. The Auteuil Salon and Ideology

2. Théodore Géricault. Soul and Body

3. Self and Nature. Delacroix and the Aesthetics of Unity

4. A Cosmic Vision. Monet's Giverny Circle

Bibliography

Index

Über Autor(innen)

Nina Athanassoglou-Kallmyer is Professor Emerita of Art History at the University of Delaware, USA.