Dutch Marine Painting in the Nineteenth Century

Erscheinungsjahr 2025
ISBN: 978-90-485-7232-8
Verlag: Amsterdam University Press

Buch, Englisch, 288 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 690 g

Marine painting is a four hundred year old specialism of the traditional Dutch school of painting. Painting ships and the sea requires both nautical knowledge and great artistic talent. Cécile Bosman examines the background, training and subject matter of nineteenth-century marine painters. She also describes how marine paintings were viewed by the marine painters themselves, by their peers in the artists' associations, by art theorists and by art critics.

It turns out that throughout the nineteenth century, marine painting was seen in Dutch art circles as a vehicle for patriotism. This kind of cultural nationalism was rooted in the country's historical connection with the water and, in particular, the glorification of the Netherlands as a seafaring nation. An enduring myth that is now the subject of intense public debate. This beautifully illustrated book fills a gap in art and cultural-historical knowledge of marine painting, while offering an insightful look at the still influential nineteenth century.

Zielgruppe

Academic

Autoren/Hrsg.

Bosman, Cécile

Fachgebiete

• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: 19. Jahrhundert
• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Kultur- und Ideengeschichte
• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Mentalitäts- und Sozialgeschichte

Inhaltsverzeichnis

Introduction Outline of the Book 1. Marine Painting and Cultural Nationalism 2. Marine Painting in Art Theory 3. The Specialism of Marine Painters 4. Choice of Subject 5.Among Fellow Artists 6. Art Criticism Summary Reference List of Marine Painters Notes Abbreviations Lists of Pictures and Graphs Bibliography and online Sources Index of Persons

Über Autor(innen)

Dr Cécile Bosman studied Art History and obtained her doctorate at the University of Leiden, and has worked from 1989 onwards in the museum sector. As a former curator of the Scheepvaartmuseum (National Maritime Museum) in Amsterdam, she has written about the visual arts in relation to maritime history for various publications.