The Long Aftermath

Cultural Legacies of Europe at War, 1936-2016
1. Auflage 2018
ISBN: 978-1-78533-820-5
Verlag: Berghahn Books

Buch, Englisch, Band 17, 406 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 589 g

Reihe: Contemporary European History

In its totality, the “Long Second World War”—extending from the beginning of the Spanish Civil War to the end of hostilities in 1945—has exerted enormous influence over European culture. Bringing together leading historians, sociologists, and literary and film scholars, this broadly interdisciplinary volume investigates Europeans’ individual and collective memories and the ways in which they have shaped the continent’s cultural heritage. Focusing on the major combatant nations—Spain, Britain, France, Italy, Germany, Poland, and Russia—it offers thoroughly contextualized explorations of novels, memoirs, films, and a host of other cultural forms to illuminate European public memory.

Autoren/Hrsg.

Bragança, Manuel

Tame, Peter

Fachgebiete

• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Europäische Geschichte
• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Besondere Kriege und Kampagnen
• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Militärgeschichte

Inhaltsverzeichnis

List of Illustrations    

Acknowledgements

Foreword: Between World Wars: Remembering War in Europe before 1945

Richard Overy

Introduction: The Long Aftermath of the Long Second World War

Manuel Bragança and Peter Tame

PART I: SPAIN

Chapter 1. Violence and the History and Memory of the Spanish Civil War: Beyond the Crisis of Inherited Narrative Frameworks

Pablo Sánchez León

Chapter 2. Poetry and Silence in Post-Civil War Spain: Carmen Conde, Lucía Sánchez Saornil and Pilar de Valderrama

Jean Andrews

Chapter 3. On Civil-War Memory in Spanish Women’s Narratives: The Example of Cristina Fernández Cubas’ Cosas que ya no existen

Alison Ribeiro de Menezes

PART II: THE UNITED KINGDOM

Chapter 4. Narrating Britain’s War: A ‘Four Nations and More’ Approach to the People’s War

Daniel Travers and Paul Ward

Chapter 5. ‘Don’t Let’s Be Beastly to the Germans’: the Representation of Germans in British Second World War Films

Robert Murphy

Chapter 6. Memory and Nation in British Narratives of the Second World War after 1945

Mark Rawlinson

PART III: FRANCE

Chapter 7. A Capital Problem: The Town of Vichy, the Second World War, and the Politics of Identity

Kirrily Freeman

Chapter 8. Tracking the Past in the Places and Spaces of Patrick Modiano’s Early Fiction

Peter Tame

Chapter 9. Vercors and the Second World War

Cristina Solé-Castells

PART IV: GERMANY

Chapter 10. Reconstructing D-Day Memory: How Contemporary Politics made Germans Victims of the War

Harold J. Goldberg

Chapter 11. Memories of World War II in German Film after 1945

Christiane Schönfeld

Chapter 12. Ilse Aichinger’s Novel The Greater Hope. Poetic Narrative to Deal with Trauma

Marko Pajevic

PART V: ITALY

Chapter 13. Victimhood Asserted: Italian Memories of World War II

Richard J. B. Bosworth

Chapter 14. Re-picturing the Myth: American Characters in Post-War Popular Italian Cinema

Daniela Treveri Gennari

Chapter 15. Italian Resistance Writing in the Years of the ‘Second Republic’

Philip Cooke

PART VI: POLAND

Chapter 16. The Second World War in Present-Day Polish Memory and Politics

Andrzej Paczkowski

Chapter 17. Wounded Memory. Rhetorical Strategies Used in Public Discourse on the Katyn Massacre

Urszula Jarecka

Chapter 18. The Second World War in Recent Polish Counterfactual and Alternative (Hi)stories

Marzena Sokolowska-Paryz

PART VII: USSR / RUSSIA

Chapter 19. History Politics and the Changing Meaning of Victory Day in Contemporary Russia

Markku Kangaspuro

Chapter 20. War and Patriotism: Russian War Films and the Lessons for Today

David Gillespie

Chapter 21. Russian Fiction at War

Greg Carleton

Afterword: Memories of War: From the Sacred to the Secular

Jay Winter

Index

Über Autor(innen)

Tame, Peter
Peter Tame is Reader in French Studies at Queen’s University Belfast. His principal research interests lie in the areas of war literature, literature and politics in twentieth-century France, and especially fictional representations of Fascism and Communism. His new book Isotopias (2015) looks at places and spaces in French war fiction of the twentieth and twenty-first centuries.

Bragança, Manuel
Manuel Bragança is Assistant Professor in French Studies in the School of Languages, Cultures and Linguistics at University College Dublin, Ireland, where he is also a member of the Centre for War Studies and of the Humanities Institute. His research interests focus on the historiography and memories of the Second World War in France and Europe. He is an editor of the online research platform H-France and an assistant editor of the journal Open Cultural Studies.

Manuel Bragança is Assistant Professor in French Studies in the School of Languages, Cultures and Linguistics at University College Dublin, Ireland, where he is also a member of the Centre for War Studies and of the Humanities Institute. His research interests focus on the historiography and memories of the Second World War in France and Europe. He is an editor of the online research platform H-France and an assistant editor of the journal Open Cultural Studies.