A Socio-Cultural History of the Violin in Australia

Identity, Resilience, and Colonial Legacy
1. Auflage 2025
ISBN: 978-1-041-01400-3
Verlag: Routledge

Buch, Englisch, 432 Seiten, Format (B × H): 161 mm x 240 mm, Gewicht: 810 g

This book presents a social history of the violin in Australia from 1788 to 1914, exploring its pivotal role in colonial society and influence on local music-making and culture. It provides scholars with new insights into how musical instruments like the violin were used to navigate and express social boundaries within a colonial framework.

Initially introduced by British settlers, the violin emerged as a powerful cultural symbol across social classes, genders, and ethnic backgrounds. Through a historical lens, this narrative examines the violin’s integration into Australian society, reflecting the complexities of identity, colonial values, and Indigenous resilience. Featuring an in-depth analysis of diverse historical sources, such as newspapers, letters, and musical programmes, readers are offered a comprehensive view of Australia’s musical past. Each chapter highlights notable violinists, illustrating how the violin either reinforced or challenged existing social hierarchies. This exploration extends into broader themes of colonisation, empire, and cultural survival. By uncovering an overlooked facet of Australia’s cultural landscape, this study significantly contributes to the fields of music history, colonial studies, and Australian history.

Aimed at an academic audience, this book will appeal to those interested in colonial history, Australian music, and cultural studies. Through its detailed analysis, it offers an essential resource for understanding the ways that music served as a medium for both cultural continuity and transformation in Australia’s complex colonial context.

Zielgruppe

Academic and Postgraduate

Autoren/Hrsg.

Case, Laura

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikinstrumente Saiteninstrumente

Inhaltsverzeichnis

INTRODUCTION: SETTING THE STAGE, 1. GENTEEL GENTRY – AMATEUR VIOLINISTS IN COLONIAL AUSTRALIA BETWEEN 1788-1850 2. TAVERN TUNES – FIDDLERS AND DANCE MASTERS IN COLONIAL AUSTRALIA BETWEEN 1788-1860 3. VIRTUOSIC VOYAGERS – PIONEERING SOLOIST VIOLINISTS IN COLONIAL AUSTRALIA BETWEEN 1822-1885 4. FROM MOZART TO MINSTREL – ENSEMBLE VIOLINISTS IN COLONIAL AUSTRALIA BETWEEN 1840-1890 5. CULTURAL CONTINUATION – INDIGENOUS ENCOUTERS WITH THE EUROPEAN VIOLIN 6. BREAKING BOUNDARIES – WOMEN AND THE VIOLIN IN COLONIAL AUSTRALIA BETWEEN 1870-1914, CONCLUSION: THE VIOLIN’S LEGACY IN AUSTRALIAN SOCIETY AND CULTURE

Über Autor(innen)

Laura Case is a lecturer in musicology at the Sydney Conservatorium of Music, specialising in the social and cultural history of music in Australia. Her research focuses on the violin, cross-cultural interactions, and feminist perspectives. A Wiradjuri woman with mixed settler heritage from Central West New South Wales, Laura uses music to reframe Indigenous histories and reclaim Indigenous knowledge.

With over 20 years of experience as a violinist, Laura has both performed and taught extensively. She recently featured on Aboriginal rapper DOBBY’s album Warrangu and Uncle Roger Knox’s forthcoming album. Laura is also a regular member of Deborah Cheetham Fraillon’s Ensemble Dutala, performing at notable venues like the City Recital Hall in Sydney and the Garma Festival of Traditional Knowledges in Northeast Arnhem Land.