Majesty, Splendor, and Transcendence in Middle-earth
Buch, Englisch, 279 Seiten, Format (B × H): 153 mm x 216 mm, Gewicht: 4905 g
ISBN: 978-1-137-55344-7
Verlag: Palgrave Macmillan US
J.R.R. Tolkien’s Christianity is often held in an unsteady tension with the pagan despair of his mythic world. Some critics portray these as incompatible, while Christian analysis tends to oversimplify the presence of religious symbolism. This polarity of opinion testifies to the need for a unifying interpretive lens. The fact that Tolkien saw his own writing as “religious” and “Catholic,” yet was preoccupied with pagan mythology, nature, language, and evil, suggests that these areas were wholly integrated with his Christian worldview. Tolkien’s Theology of Beauty examines six structural elements, demonstrating that the author’s Christianity is deeply embedded in the narrative framework of his creative imagination.
Zielgruppe
Research
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Literaturwissenschaft Einzelne Autoren: Monographien & Biographien
- Geisteswissenschaften Philosophie Religionsphilosophie, Philosophische Theologie
- Geisteswissenschaften Philosophie Ästhetik
- Geisteswissenschaften Religionswissenschaft Religionswissenschaft Allgemein Religionsphilosophie, Philosophische Theologie
- Geisteswissenschaften Literaturwissenschaft Literarische Stoffe, Motive und Themen
- Geisteswissenschaften Literaturwissenschaft Englische Literatur
Weitere Infos & Material
Foreword; Alister McGrath.- Introduction.- Part I: On Myth.- Chapter 1. A Theology of Beauty.- Chapter 2. Primary Truth.- Part II: On Creation.- Chapter 3. The Light of Being.- Chapter 4. Incarnate Beings.- Chapter 5. The Wonder of Being.- Part III: On Language.- Chapter 6. The Law of the Logos.- Chapter 7. The Song of Lúthien.- Part IV: On Good and Evil.- Chapter 8. Being and Unbeing.- Chapter 9. The Splendor of Being.- Part V: On Tragic Heroism.- Chapter 10. The Tragedy of Túrin.- Chapter 11. Hope Without Guarantees.- Part VI: On Women.- Chapter 12. Tolkien and Feminist Criticism.- Chapter 13. The Transcendental Feminine.- Chapter 14. The Renunciation of Power.- Conclusion.