Buch, Englisch, 188 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 284 g
Reihe: Routledge Interdisciplinary Perspectives on Literature
Literary Narrative and the Urge to Listen
Buch, Englisch, 188 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 284 g
Reihe: Routledge Interdisciplinary Perspectives on Literature
ISBN: 978-0-367-68819-6
Verlag: Routledge
The title coinage of this book, stimulacra, refers to the fundamental capacity of literary narrative to stimulate our minds and senses by simulating things through words. Musical stimulacra are passages of fiction that readers are empowered to transpose into mental simulations of music. The book theorizes how fiction can generate musical experience, explains what constitutes that experience, and explores the musical dimensions of three American novels: William T. Vollmann’s Europe Central (2005), William H. Gass’s Middle C (2013), and Richard Powers’s Orfeo (2014). Musical Stimulacra approaches fiction’s music from a readerly perspective. Instead of looking at how novels forever fail to compensate for music’s physical, structural, and affective properties, the book concentrates on what literary narrative can do musically. Negotiating common grounds for cognitive audionarratology and intermediality studies, Musical Stimulacra builds its case on the assumption that, among other things, fiction urges us to listen—to musical words and worlds.
Zielgruppe
Postgraduate
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Literaturwissenschaft Englische Literatur Amerikanische Literatur
- Geisteswissenschaften Musikwissenschaft Geschichte der Musik
- Geisteswissenschaften Literaturwissenschaft Literarische Strömungen & Epochen
- Geisteswissenschaften Literaturwissenschaft Vergleichende Literaturwissenschaft
Weitere Infos & Material
A Pre-phase of Musical Experience
1 On Verbally Transmitted Music
2 Vollmann’s Verbal Scores
3 The Metamuse of Gass
4 Powers and Els
5 What Comes Afterwords