Subverting Mainstream Narratives in the Reagan Era

Giving Power to the People
1. Auflage 2018
ISBN: 978-3-319-76818-2
Verlag: Springer International Publishing

Buch, Englisch, 162 Seiten, Format (B × H): 153 mm x 216 mm, Gewicht: 353 g

Subverting Mainstream Narratives in the Reagan Era explores how artists, novelists, and directors were able to present narratives of strong dissent in popular culture during the Reagan Era. Using but subverting the tools of mainstream novels and films, these visionaries’ works were featured alongside other books in major bookstores and promoted alongside blockbusters in movie theatres across the country. Ashley M. Donnelly discusses how the artists accomplished this, why it is so important, and how new artists can use these techniques in today’s homogenous and mundane media.

Zielgruppe

Research

Autoren/Hrsg.

Donnelly, Ashley M.

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio
• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften
• Sozialwissenschaften Medien- und Kommunikationswissenschaften Kommunikationswissenschaften
• Geisteswissenschaften Literaturwissenschaft Englische Literatur Amerikanische Literatur
• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Populärkultur
• Sozialwissenschaften Ethnologie | Volkskunde Ethnologie Kultur- und Sozialethnologie: Politische Ethnologie, Recht, Organisation, Identität

Inhaltsverzeichnis

1. Violence, Power, and Control

2. Reagan’s America

3. Blank Fiction

4. Less Than Zero

5. Blank Film

6. Full Metal Jacket

7. The Serial Killer

8. Henry: Portrait of a Serial Killer

9. American Psycho

10. Following the Threads of Blank Works in the 1990s

11. Conclusion

Über Autor(innen)

Ashley M. Donnelly is Associate Professor of Telecommunications and Director of the Digital Storytelling Master’s Program in Telecommunications at Ball State University, USA. She is author of Renegade Hero or Faux Rogue: The Secret Traditionalism of Television Bad Boys,as well as several articles on contemporary US culture. Her work is based in cultural and critical theory and focuses gender, capitalism, and socio-political criticism. In addition to her academic work, she is an award-winning screenwriter who continues to write original feature films.