Buch, Englisch, 270 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 4453 g
Reihe: Framing Film Festivals
Buch, Englisch, 270 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 4453 g
Reihe: Framing Film Festivals
ISBN: 978-1-349-48722-6
Verlag: Palgrave Macmillan US
Tracing the history of Africa's relationship to film festivals and exploring the festivals' impact on the various types of people who attend festivals (the festival experts, the ordinary festival audiences, and the filmmakers), Dovey reveals what turns something called a "festival" into a "festival experience" for these groups.
Zielgruppe
Research
Autoren/Hrsg.
Fachgebiete
- Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften
- Sozialwissenschaften Ethnologie | Volkskunde Volkskunde
- Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Kulturwissenschaften
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgeschichte
- Geisteswissenschaften Kunst Kunst, allgemein
Weitere Infos & Material
Introduction 1. Early Curatorial Practices, European Colonialism, and the Rise of 'A-list' Film Festivals 2. Afri-Cannes? African Film and Filmmakers at the World's Most Prestigious Film Festival 3. 'Where is Africa?' at the 2010 International Film Festival of Rotterdam 4. African Film Festivals in Africa: Curating 'African Audiences' for 'African Films' 5. Moving Africa: African Film Festivals Outside of Africa 6. The Rise of 'International' Film Festivals in Africa 7. Festive Excitement and (Dis)sensus Communis In Action at Two Film Festivals in Africa Conclusion