Performativity and Event in 1960s Japan

City, Body, Memory
2013. Auflage 2013
ISBN: 978-1-137-01737-6
Verlag: Palgrave MacMillan UK

Buch, Englisch, 183 Seiten, Format (B × H): 140 mm x 218 mm, Gewicht: 3452 g

Performativity and Event in 1960s Japan considers the artists and events in 1960s Japan. In response to the social upheavals of the 1960s, it shows how art interacted with society in unique and transformational ways, nterweaving arguments about the critical role of performance as an artistic medium and as a social dramaturgy.

Zielgruppe

Research

Autoren/Hrsg.

Eckersall, P.

Fachgebiete

• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Kulturwissenschaften
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatergeschichte
• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Mentalitäts- und Sozialgeschichte

Inhaltsverzeichnis

Table of Contents List of Figures Acknowledgements Introduction 1. Zero Jigen's pre-expressive utopian body: ritual theory and urban transformation 2. Butoh cine dance and the remediated sixties 3. Singing Yokoo Tadanori: Ichiyanagi Toshi, The City and the Aesthetics of Listening 4. Performing Revolution at Shinjuku Plaza 5. The Osaka Exposition: Bodies and the impossible Utopia 6. Memory and city: Port B and the Tokyo Olympics Closing: Transforming everydayness Notes Bibliography

Über Autor(innen)

Peter Eckersall teaches Theatre Studies in the School of Culture and Communication, University of Melbourne. Recent publications include Kawamura Takeshi's Nippon Wars and Other Plays and Theatre and Performance in the Asia-Pacific: Regional Modernities in the Global Era (with Denise Varney, Barbara Hatley and Chris Hudson). He is a specialist of contemporary performance and a dramaturgy.