The Apothecary’s Chest

Magic, Art and Medication
1. Auflage 2009
ISBN: 978-1-4438-0494-3
Verlag: Cambridge Scholars Publishing

Buch, Englisch, 175 Seiten

‘The Apothecary’s Chest: Magic, Art and Medication’ was a one-day symposium held at the University of Glasgow on November 24, 2007. The symposium called for a discussion on the evolution of the notions of mysticism, knowledge and superstition in the way they are intertwined in both science and the literary imagination in the figure of healers such as the apothecary, the alchemist, the shaman. There were three main areas of interest. The first involved traditional perceptions of physicians, who combined knowledge and superstition and thus bordered, in their practices, on the sphere of the occult. The second theme, evolving from the first, proposed an inquiry of the overlapping interests and processes of science, magic and prophesy, as well as of the implications and consequences of a privileged access to medical knowledge, while the third subject of discussion concentrated on the development of the symbolism of the healer in literature, history, philosophy of science, anthropology, theology, film and art.

The twelve papers included in this volume, papers presented by doctoral candidates and young scholars from across a range of geographical regions and disciplines, result in a collection of approaches to an investigative field with topics ranging from mystical traits of mundane materials to the origins of the occult and gender struggles. The thirteenth and final essay included in the volume, Professor Bill Herbert’s ‘From Mere Bellies to the Bad Shaman’, is an exploration of the modern role of the contemporary poet in the form of an extended conversation initiated at the closing of the conference, when Professor Herbert was asked to combine a poetry reading with a few observations on the relationship between the poet and the shaman.

Autoren/Hrsg.

Collignon, Fabienne

Georganta, Konstantina

Millim, Anne-Marie

Über Autor(innen)

Konstantina Georganta is currently completing her PhD thesis at the University of Glasgow on encounters between British and Greek poetry in the first half of the twentieth century. Her thesis focuses on the crisis in the portrayal of national identities, insecure in the multiplicity of their multicultural roots and thus diasporic and hybrid, in post-1922 Europe and considers the work of T.S. Eliot, C.P. Cavafy, W.B. Yeats, Kostes Palamas, John Lehmann, Demetrios Capetanakis and Louis MacNeice. Other interests include the visual culture of political satire for the theatricality it adopts in the depiction of national identities and the development of the notion ‘national’ from the fin-de-siècle onwards.

Fabienne Collignon is currently completing her PhD thesis on US missile culture at the University of Glasgow. She has published articles on Thomas Pynchon and map-space, on the topography of Kansas and the unconscious effects of geography on the psyche, as well as on the Hollow Earth Theory, and has presented papers at international conferences on topics as various as the Kennedy Assassination, Nikola Tesla, missile silos and Stephen King.

Anne-Marie Millim is currently writing up her PhD thesis on the representation of duty in the Victorian diary at the University of Glasgow. Her thesis examines the “silencing of the self” that is characteristic of the diaries of George Eliot, George Gissing, John Ruskin, Elizabeth Eastlake, Henry Crabb Robinson and Gerard Manley Hopkins by investigating the repressive influence of nineteenth-century psychology, work ethic and visual culture. Conference papers include a wide range of topics, such as the Victorian home, Gissing’s escapism, Ruskin’s photographic gesture, as well as his obsession with meteorological phenomena, and Alexander Bain’s advocacy of emotional repression in the context of Victorian ideas of respectability.