Buch, Englisch, 192 Seiten, Format (B × H): 135 mm x 210 mm, Gewicht: 263 g
Reihe: Selected writings and lecture notes / Reiner Schürmann
Buch, Englisch, 192 Seiten, Format (B × H): 135 mm x 210 mm, Gewicht: 263 g
Reihe: Selected writings and lecture notes / Reiner Schürmann
ISBN: 978-3-0358-0307-5
Verlag: diaphanes
How did the come to dominate the self-understanding of the modern subject? What lies at the root of the megalomania of desire that defines human experience in the age of global technology? In , Reiner Schürmann traces a philosophical archeology of the willing subject from Ancient Greece into the 20th century.
Through a series of original readings of Kant, Schelling, Nietzsche, and Heidegger, Schürmann uncovers the strategic interplay of submission and command that sets the stage for the will’s epochal “triumph,” while hinting at possibilities of subverting its mastery over both the self and the world. With an appendix offering a polemical critique of Hannah Arendt’s ,as well as an editorial afterword contextualizing these lectures in Schürmann’s broader work, this volume will be of value to specialist and student alike.
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
7 | Syllabus | |||
9 | - | 13 | List of Abbreviations | |
15 | Edition Guidelines | |||
17 | - | 25 | Historical Introduction | (Reiner Schürmann) |
27 | - | 73 | Part I: Rationality and Irrationality of the Will | (Reiner Schürmann) |
75 | - | 108 | Part II: The Ontological Turn in the Philosophy of the Will | (Reiner Schürmann) |
109 | - | 115 | Part III: Legislation and Transgression | (Reiner Schürmann) |
117 | - | 124 | Appendix: The Time of the Mind and the History of Freedom | (Reiner Schürmann) |
125 | - | 153 | Notes | |
155 | - | 179 | Afterword: The willing animal to whom nature must conform | (Kieran Aarons, Francesco Guercio) |
181 | - | 189 | Tentative Chronology of Reiner Schu¨rmann’s Courses at the New School for Social Research | |
190 | - | 191 | Lecture Notes of Reiner Schu¨rmann at the NSSR— Pierre Adler’s Inventory (1994) |