The Moses Complex

Freud, Schoenberg, Straub/Huillet
Erscheinungsjahr 2016
ISBN: 978-3-03734-623-5
Verlag: diaphanes

Buch, Englisch, 332 Seiten, Format (B × H): 165 mm x 225 mm, Gewicht: 903 g

Moses has long been a source of modern fascination. For Sigmund Freud and psychoanalysis, Moses was a particularly fruitful subject for the study of memory and historiography. He also held great interest for the visual and performing arts. In the 1920s and ’30s, the composer Arnold Schoenberg wrote the three-act opera Moses and Aron. First performed just a few years before his exile to the United States, it required that its audiences distinguish voices from forceful background noise, just as Moses had to confront the burning bush before he could hear the voice of God. In 1974, filmmakers Jean-Marie Straub and Danièle Huillet created an avant-garde cinematic adaptation of Schoenberg’s opera that continued the composer’s examination of the established hierarchies of seeing and hearing.

In The Moses Complex, Ute Holl analyzes these major works in detail and deep historical context, synthesizing the complex models of resistance to explore the relationships among media, migration, and politics. Since Moses descended from Sinai with the tablets inscribed with the Ten Commandments, new media and new laws have often emerged simultaneously. Liberation, in particular, has been negotiated through many different cultural media, with psychoanalysis, music, and cinema all describing exodus and exile as a process of force. Offering a dynamic and comprehensive political and cultural theory of migration and violence, The Moses Complex speaks equally well to psychoanalytic, musical, and cinematic thinking as it does to our tendency toward violence in the treatment of migrants today.

Autoren/Hrsg.

Holl, Ute

Weitere Mitwirkende

Turnbull, Michael

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgeschichte
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatergeschichte
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmtheorie, Filmanalyse
• Geisteswissenschaften Musikwissenschaft Musikgattungen Opernmusik

Inhaltsverzeichnis

7 - 38Introduction (Ute Holl)39 - 94Sound, Space, Politics (Ute Holl)95 - 178Field and Distribution (Ute Holl)179 - 278Caesuras: Cinematic Procedures (Ute Holl)279 - 320Clouds, Deserts (Ute Holl)

7	-	38	Introduction	(Ute Holl)
39	-	94	Sound, Space, Politics	(Ute Holl)
95	-	178	Field and Distribution	(Ute Holl)
179	-	278	Caesuras: Cinematic Procedures	(Ute Holl)
279	-	320	Clouds, Deserts	(Ute Holl)

Über Autor(innen)

Holl, Ute
Ute Holl Ute Holl is a filmmaker, media scholar and professor for media
aesthetics at Basel University. Her research focuses on a media-history of perception and on the epistemology of audiovisual
media. She has published on film and cinema as well as on the
mediahistory of acoustics and electro-acoustics. On Maya Deren,
she published e.g. Choreographie für eine Kamera, Schriften zum
Film (1995, co-edited by Jutta Hercher) and Cinema Trance and
Cybernetics (2017).

Ute Holl ist Professorin für Medienwissenschaft an der Universität Basel. Zu ihren Forschungsschwerpunkten gehören Medienästhetik und Wahrnehmungstheorien, mediale Anthropologie und experimentelles Kino, sowie Kinosound und Elektroakustik. Sie ist Autorin mehrerer Bücher.