Censorship of the American Theatre in the Twentieth Century

Erscheinungsjahr 2008
ISBN: 978-0-521-10835-5
Verlag: Cambridge University Press

Buch, Englisch, Band 16, 344 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 559 g

Reihe: Cambridge Studies in American Theatre and Drama

John Houchin explores the impact of censorship in twentieth-century American theatre, arguing that theatrical censorship coincided with significant challenges to religious, political and cultural systems. The study provides a summary of theatre censorship in the eighteenth and nineteenth centuries and analyses key episodes from 1900 to 2000. These include attempts to censure Olga Nethersole for her production of Sappho in 1901 and the theatre riots of 1913 that greeted the Abbey Theatre's production of Playboy of the Western World. Houchin explores the efforts to suppress plays in the 1920s that dealt with transgressive sexual material and investigates Congress' politically motivated assaults on plays and actors during the 1930s and 1940s. He investigates the impact of racial violence, political assassinations and the Vietnam War on the trajectory of theatre in the 1960s and concludes by examining the response to gay activist plays such as Angels in America.

Autoren/Hrsg.

Houchin, John H.

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatergeschichte

Inhaltsverzeichnis

Introduction; 1. Overture: theatrical censorship from the puritans to Anthony Comstock; 2. Bad girls, tough guys and the changing of the guard; 3. Flappers and fanatics; 4. Have you now or have you ever …; 5. Bye, bye American pie; 6. The past is prologue.

Über Autor(innen)

Houchin, John H.
John Houchin is Associate Professor of Theatre at Boston College, Massachusetts. He is the author of The Critical Response to Eugene O'Neill (1993). His work has also been published in The Drama Review, The New England Theatre Journal, The Journal of American Theatre and Drama, Theatre History Studies and the Eugene O'Neill Review.