A Critical Theory of Creativity

Utopia, Aesthetics, Atheism and Design
2015. Auflage 2015
ISBN: 978-1-137-44616-9
Verlag: Palgrave MacMillan UK

Buch, Englisch, 204 Seiten, Format (B × H): 140 mm x 216 mm, Gewicht: 3747 g

A Critical Theory of Creativity argues that a Utopian drive is aesthetically encoded within the language of form. But coupled with this opportunity comes a very human obligation which cannot be delegated to God, to nature or to market forces. As Ernst Bloch declared: 'Life has been put into our hands.'

Zielgruppe

Research

Autoren/Hrsg.

Howells, R.

Fachgebiete

• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften
• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Kultursoziologie
• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Kulturwissenschaften
• Geisteswissenschaften Philosophie Geschichte der Westlichen Philosophie Westliche Philosophie: Transzendentalphilosophie, Kritizismus
• Geisteswissenschaften Literaturwissenschaft Kinder- und Jugendliteratur, Märchen, Mythen, Sagen
• Geisteswissenschaften Kunst Kunst, allgemein

Inhaltsverzeichnis

Introduction 1. Visions -and Derisions- of Utopia 2. Ernst Bloch and Utopian Critical Theory 3. Homo Aestheticus 4. Case Study: Navajo Design, Culture and Theology 5. Archetypes, the Unconscious and Psychoanalysis 6. Roger Fry and the Language of Form 7. From Genesis to Job 8. Homo Absconditus 9. Conclusion: The Republic of Heaven

Über Autor(innen)

Richard Howells is Professor of Cultural Sociology at King's College London, UK, where he specialises in visual and popular culture, together with cultural and critical theory. He studied at Harvard and Cambridge universities and lives in London and West Sussex with his wife, the designer Sarah Howson.