Modern Women and Parisian Consumer Culture in Impressionist Painting

Erscheinungsjahr 2014
ISBN: 978-1-107-67246-8
Verlag: CAMBRIDGE

Buch, Englisch, 293 Seiten, Format (B × H): 173 mm x 251 mm, Gewicht: 703 g

This book examines the encounter between Impressionist painting and nineteenth-century consumer culture. Ruth E. Iskin explores the representation of feminine fashions, consumers and sales-women in Parisian boutiques. She revises our understanding of the representation of women in Impressionist painting by refocusing the exploration of gender, from women's exclusion from the public spaces of modernity to their inclusion; and from the privileging of the male gaze to a plurality of gazes that includes women. Iskin also analyzes how paintings represent women as objects of display, and how they address women as spectators in active roles - as consumers, producers or sellers - in a range of sites, such as the millinery boutique, the theatre, opera, café-concert and market stall. Considering a wide range of sources from nineteenth-century literature and visual culture, Iskin re-situates Impressionist painting in the context of the culture of consumption.

Autoren/Hrsg.

Iskin, Ruth E.

Fachgebiete

• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: 19. Jahrhundert Impressionismus, Post-Impressionismus
• Geisteswissenschaften Kunst Kunst, allgemein Kunstpsychologie und -soziologie
• Geisteswissenschaften Kunst Kunstformen, Kunsthandwerk Malerei: Gemälde
• Geisteswissenschaften Kunst Künstlerische Stoffe, Motive, Themen
• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Freizeitsoziologie, Konsumsoziologie, Alltagssoziologie, Populärkultur

Inhaltsverzeichnis

1. Introduction: Impressionism, consumer culture and modern women; 2. Selling, seduction, and soliciting the eye: Manet's Bar at the Folies-Bergère; 3. Degas's dazzling hat shops and artisanal atelier: consumers, milliners and saleswomen, 1882–1910; 4. Inconspicuous subversion: Parisian consumer culture in 1870s city views; 5. Nature and marketplace: Zola, Pissarro, and Caillebotte; 6. The chic Parisienne: a national brand of French fashion and femininity.

Über Autor(innen)

Iskin, Ruth E.
Ruth E. Iskin holds a PhD from the University of California, Los Angeles. She has received the Andrew W. Mellon fellowship at the Penn Humanities Forum. Her publications include essays in The Art Bulletin, Discourse and Nineteenth-Century Contexts. She teaches art history and visual culture at Ben-Gurion University of the Negev in Israel.