Javitch Proclaiming a Classic

The Canonization of Orlando Furioso
Course Book
ISBN: 978-1-4008-6180-4
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, Band 1166, 216 Seiten, Web PDF

Reihe: Princeton Legacy Library

Despite its immediate popularity and its acclaim as a modern equal of the ancient epics, Ariosto's Orlando Furioso (published in its final version in 1532) was for learned readers a perplexing work: it mixed romance, epic, and lyric poetry, poked fun at its marvelous and outmoded chivalric matter, contained many interrupted narrative threads, and included base and lowborn characters. In exploring the literary debates involved in elevating the Furioso to the rank of a classic, Daniel Javitch maintains that this was the first work of modern poetry to provoke widespread critical controversy, and that the contestation played an inaugural role in the formation of the European poetic canon. The Furioso was seen by its early publishers to embody the formal, thematic, and functional characteristics of the highly esteemed epics of antiquity. Some critics, however, found in this poem new forms and functions that seemed better suited to modern times; still others denied the work any form of legitimacy. Showing how the Furioso became a locus upon which various and conflicting ideologies could be projected, Javitch argues that such a development offers the best indication of a poem's having achieved canonicity.

Originally published in 1991.

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Autoren/Hrsg.

Javitch, Daniel

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Romanische Literaturen Italienische Literatur

Inhaltsverzeichnis

FrontMatter, pg. i
CONTENTS, pg. vii
ACKNOWLEDGMENTS, pg. ix
INTRODUCTION, pg. 3
Chapter One. THE SUCCESS OF ORLANDO FURIOSO IN THE SIXTEENTH CENTURY, pg. 10
Chapter Two. THE LEGITIMATION OF ORLANDO FURIOSO, pg. 21
Chapter Three. COMMENTARIES ON IMITATIONS IN ORLANDO FURIOSO, pg. 48
Chapter Four. AFFILIATIONS WITH OVID'S METAMORPHOSES, pg. 71
Chapter Five. CRITICAL RESPONSES TO NARRATIVE DISCONTINUITY IN ORLANDO FURIOSO, pg. 86
Chapter Six. LIONARDO SALVIATI'S DEFENSE OF ORLANDO FURIOSO, pg. 106
Chapter Seven. OTHER DEFENSES OF ORLANDO FURIOSO IN THE 1580s, pg. 123
Chapter Eight. HARINGTON'S ENGLISH REFRACTIONS OF ORLANDO FURIOSO, pg. 134
CONCLUSION, pg. 158
NOTES, pg. 167
PRIMARY WORKS CONSULTED, pg. 199
INDEX, pg. 203