Jones | Ariadne's Threads: The Construction and Significance of Clothes in the Aegean Bronze Age | Buch | 978-90-429-3955-4 | www.sack.de

Buch, Englisch, Band 38, 340 Seiten, Format (B × H): 203 mm x 284 mm, Gewicht: 975 g

Reihe: Aegaeum

Jones

Ariadne's Threads: The Construction and Significance of Clothes in the Aegean Bronze Age


1. Auflage 2019
ISBN: 978-90-429-3955-4
Verlag: PEETERS PUB

Buch, Englisch, Band 38, 340 Seiten, Format (B × H): 203 mm x 284 mm, Gewicht: 975 g

Reihe: Aegaeum

ISBN: 978-90-429-3955-4
Verlag: PEETERS PUB


This book is the first to deal comprehensively with the construction,

significance, and function of the full range of garments of Aegean women

and related attire of men from the Neolithic to the end of the Bronze

Age. As valuable as precious metals, a significant commodity of trade,

luxurious in design and decoration, Minoan dress rivaled that of its

Near Eastern and Egyptian neighbors. Yet, Aegean costumes and textiles

have been among the least understood of the major artistic achievements

of the Minoan civilization.

Since ancient Aegean textiles and garments have not survived, the study

collects, analyzes and compiles a typology of the corpus of garments

represented in sculpture, frescoes and glyptic to glean evidence for

construction. It further considers the manufacturing techniques of

extant Egyptian clothes, comparable images of ancient Near Eastern

garments, textile manufacture on the warp-weighted loom, and dress

documented in Mycenaean Linear B, Greek and Near Eastern texts. The

combined evidence is buttressed by experiments in replicating Aegean and

related Near Eastern garments as well as the weave structures of

patterned cloths and bands. The replicated clothes are arranged on live

models who assume the various positions of the clothed figures in the

frescoes and sculptures they imitate, thereby bringing the ancient

figures to life.

This all inclusive study not only illuminates every aspect of Aegean

costume, but the resultant understanding of dress and the way it drapes

on the body has led to new restorations of the missing parts of

fragmentary garments on figural sculptures and wall paintings.

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