Judin | Postmodernism and Architecture at the End of Apartheid | Buch | 978-1-041-19308-1 | www.sack.de

Buch, Englisch, 386 Seiten, Format (B × H): 174 mm x 246 mm

Reihe: Architext

Judin

Postmodernism and Architecture at the End of Apartheid


1. Auflage 2026
ISBN: 978-1-041-19308-1
Verlag: Taylor & Francis Ltd

Buch, Englisch, 386 Seiten, Format (B × H): 174 mm x 246 mm

Reihe: Architext

ISBN: 978-1-041-19308-1
Verlag: Taylor & Francis Ltd


Set against a social and political urban landscape of segregation and forced removals, Postmodernism and Architecture at the End of Apartheid unpacks postmodernism in the 1970s and 80s as it unfolds in South Africa during the final brutal decade of apartheid. Architecture and apartheid are central subjects of the book– the ways they came to interact simultaneously to both buttress and undermine a country rapidly disintegrating. With battles waged in defence of white minority rule, architects’ turn to postmodernism reflected their disintegrating consciences and commitments in operating in uncertain times.

They shared with architects globally a postmodernism steeped in anxiety and despondency summoning forth classical forms and colonial symbols detached from their surroundings. For some of these architects having studied abroad at the University of Pennsylvania, the route to postmodernism was through their mentor Louis Kahn’s bid to begin architecture anew in transforming ancient ruins as a modern concrete and brick order. For others, influenced by compatriot Denise Scott Brown who had moved to the USA, it was learning by way of her “African view of Las Vegas”.

Postmodernism and Architecture at the End of Apartheid expands on contemporary discourse in postmodernism and architectural theory, public culture, and urban spatial politics. It examines critical voices of the period – Robert Venturi, Paolo Portoghesi, Colin Rowe, Manfredo Tafuri, Fredric Jameson, Kenneth Frampton – as well as questions of resistance in different forms and mediums, from the literature of Nadine Gordimer and J.M. Coetzee to grassroots struggle and community participation. Connections between postmodernism and apartheid are uncovered along with the contributions brought by architects in South Africa to a global postmodernism of newly transformed landscapes of neon strips, corporate temples, and white suburban sprawl amidst townships and growing informal settlements.

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Zielgruppe


Academic, Postgraduate, and Undergraduate Advanced


Autoren/Hrsg.


Weitere Infos & Material


1. Postponing the Future 2. The Neon Strip and Return to the Street 3. Impositions of an Unheroic Monumentality 4. Preservation of the Past, Destruction of the Present 5. Places Without Belonging 6. Consulado da Eclectica 7. Ad hoc, “As Found”, and Appropriate Architecture 8. Limits of Emancipatory Practice 9. Disappearing Towers 10. “A Great Variety of Morbid Symptoms”


Johannesburg-based architect Hilton Judin is an adjunct professor at the School of Architecture & Planning at Wits University. He is a curator and coeditor of the exhibition and book blank____Architecture, apartheid and after. He is author of Architecture, State Modernism and Cultural Nationalism in the Apartheid Capital, editor of Falling Monuments, Reluctant Ruins, and coeditor of In Whose Place? Confronting Vestiges of Colonialism and Apartheid.



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