Buch, Englisch, 336 Seiten, Format (B × H): 155 mm x 231 mm, Gewicht: 612 g
Race, Culture, and the Jewish Question in France
Buch, Englisch, 336 Seiten, Format (B × H): 155 mm x 231 mm, Gewicht: 612 g
ISBN: 978-0-415-90440-7
Verlag: Taylor & Francis
Beginning with Marcel Ophus's documentary The Sorrow and the Pity (1970) there has been an attempt to question the idea of a totally unified, courageous and resistant wartime France. Even more startling have been the increasingly shocking revelations that the politics of collaboration were a mere extension of a deep-seated French anti-semitic tradition. In the shadow of these developments French writers and philosophers today are reflecting on the meaning of Jewish identity in the contemporary world.
Auschwitz and After analyses for the first time how the memory of Auschwitz and the collaboration continue to haunt the French. These critical evaluations are accompianed by provocative essays on the "jewish Question" and the politics of race as they have been studied by writers, historians, philosophers and film makers in postwar France.
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Europäische Geschichte
- Geisteswissenschaften Jüdische Studien Jüdische Studien
- Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Geschichte einzelner Länder Europäische Länder
- Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Kultur- und Ideengeschichte
Weitere Infos & Material
Introduction; I: Histories, Memories, and Politics; 1: The Voice of Vichy; 2: The Holocaust's Challenge to History; 3: Cendres juives; 4: War Memories; 5: Anti-Semitism in France, 1978–1992; II: Identities and Cultural Practices; 6: From the Novelistic to Memory; 7: Critical Reflections; 8: Jewish Identity in Raymond Aron, Emmanuel Berl, and Claude Lévi-Strauss; III: Philosophy and Jews; 9: Blanchot, Violence, and the Disaster; 10: Discussions, or Phrasing “after Auschwitz”; 11: Difficult Freedom; IV: Writing After Auschwitz: Literary Representations; 12: Beyond Psychoanalysis; 13: On the Holocaust Comedies of “Emile Ajar”; 14: Georges Perec and the Broken Book; 15: Exiled from the Shoah; 16: The Writing of Catastrophe; V: Cinematic Images; 17: La vie en rose; 18: The Languages of Pain in Shoah; 19: Duras's Aurélia Steiner, or Beyond Essence