Cinematography Beyond Technique

A Story-First Approach to Moving Images
1. Auflage 2025
ISBN: 978-1-041-13727-6
Verlag: Taylor & Francis Ltd

Buch, Englisch, 298 Seiten, Format (B × H): 156 mm x 234 mm

This book opens a new door into visual storytelling by using a story-first method to reframe cinematography as a language, not just a technical craft. Readers will learn to think about images not only as products of gear and technique, but as carefully crafted expressions of narrative intent.

The book begins not with lighting setups or lens choices, but with story: What is the emotional core of a scene? Does a high-angle shot serve the character? Does the lighting deepen the narrative? Focusing on the intent and expression of images, rather than the mechanics, readers learn how creative decisions like camera angle, movement, and lighting either support or obscure that story. Through accessible exercises and clear examples, the book teaches aspiring filmmakers how to interpret images and evaluate their effectiveness, asking the following two questions: Does the visual choice communicate what I intended? Could a different composition, perspective, or level of shadow alter the emotional response? In doing so, it helps readers grow as confident visual storytellers, regardless of their technical background. With an emphasis on intention over execution, this book provides a fresh and practical framework for those seeking to create images that are not only beautiful, but narratively effective.

This book provides key reading for students of filmmaking and cinematography, as well as aspiring and early-career filmmakers—including directors, screenwriters, and producers—who may feel intimidated by the technical aspects of cinematography but need to make or guide visual decisions.

An online instructor’s manual provides additional support, making it easy for educators to incorporate the book and its exercises into their curriculum. The book is structured to be adaptable into a complete academic course, emphasizing hands-on practice and analysis regardless of the equipment students use.

Zielgruppe

Undergraduate Advanced

Autoren/Hrsg.

Lazar, Tal

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmproduktion, Filmtechnik
• Geisteswissenschaften Kunst Kunstformen, Kunsthandwerk Installations-, Aktions-, Computer- und Videokunst

Inhaltsverzeichnis

Acknowledgments

Introduction

1. Visual Language

2. Breaking Down the Script

3. Characters and Perspective

4. The Visual Strategy

5. Introduction to Lenses

6. Selecting a Lens

Plate A

7. The Cinematic Composition

8. Expression with Color

9. Movement and Time

10. The Language of Light

11. Practical Lighting

12. The Director and the Cinematographer

Plate B

Bibliography

Films and Images in This Book

Über Autor(innen)

Tal Lazar is an award-winning cinematographer, producer, and educator. He has taught at prominent institutions, including the American Film Institute Conservatory and Columbia University, and led online programs for Sundance Institute and Berklee College of Music. His films, ranging from thrillers and action to intimate drama, have reached audiences worldwide.