Buch, Englisch, 262 Seiten, Format (B × H): 140 mm x 225 mm, Gewicht: 530 g
Buch, Englisch, 262 Seiten, Format (B × H): 140 mm x 225 mm, Gewicht: 530 g
ISBN: 978-3-0358-0751-6
Verlag: diaphanes
Whether it is the ocean, the ground or soil, a metaphorical or symbolic underworld or a political figure of thought, the subsurface intervenes in recent debates about ecological, social and postcolonial conflicts and power inequalities in the humanities and beyond. However, turning to the unstable grounds of the subterranean always involves a conceptual or methodological movement and a practice of submersion, and thus a critical reflection on the conditions, technologies, aesthetics and politics of knowledge production. It is precisely at this point that the volume picks up with approaches from the fields of artistic practice as well as media studies, art history, queer theory, and decolonial studies. From this transdisciplinary perspective, the anthology explores the medial, aesthetic, and material aspects of sub(e)merging as well as its potential as a resistant practice and figure of thought: from submerging as emerging.
With contributions by Pinar Asan, Özge Çelikaslan, Marie Sophie Beckmann, Liliana Gómez, Suza Husse, Johanna Laub, Petra Löffler, Friederike Nastold, Maryse Ouellet, Julia Schade, Hannah Schmedes, Martin Siegler, Amelie Wedel, and Verena Melgarejo Weinandt.
Autoren/Hrsg.
Weitere Infos & Material
| 7 | - | 25 | Introduction: From Submerging to Emerging | (Marie Sophie Beckmann, Petra Löffler) |
| 29 | - | 51 | What Does It Take to Go Deep? The Oceanic and Its Conceptual Displacements | (Julia Schade) |
| 53 | - | 72 | Sinkholes: Ungrounding the Extractive View | (Martin Siegler) |
| 73 | - | 88 | Filming from a Snail’s-Eye View: Submerged Vision and the Observational Mode in Geographies of Solitude | (Amelie Wedel) |
| 91 | - | 111 | Some Kind of Bodies, Some Kind of Nature: Affective-Performative Aesthetics of Sub(e)mergence in Tejal Shah’s and Gauri Gill’s Work | (Friederike Nastold) |
| 113 | - | 132 | Undercurrents of Water, Mercury, Gold: The Fluid in Decolonial Aesthetic Practices | (Liliana Gómez) |
| 133 | - | 155 | Pocahunter and Karl May: A Conversation on Artistic Approaches to Unsettling Anti-Indigenous Stereotypes in German Performance and Pop Culture | (Suza Husse, Verena Melgarejo Weinandt) |
| 173 | - | 189 | “The Wet, Soggy, Boggy, Menacingly Undefined”: Queer Approaches Towards the Archive of the Bog | (Hannah Schmedes) |
| 191 | - | 214 | Attuning to Another’s Voice: Perspectivism in the Work of Esther Shalev-Gerz and Andrea Bu¨ttner | (Maryse Ouellet) |
| 215 | - | 240 | The Thresholds of Sub(e)merging: Contemporary Moving-Image Art and the Archive in Turkey | (Pinar Asan, Özge Çelikaslan) |
| 241 | - | 258 | Anarchival Repair: Luta Ca Caba Inda and the Sedimentation of a Film Archive | (Johanna Laub) |
