Canyon Cinema - The Life and Times of an Independent Film Distributor

1. Auflage 2008
ISBN: 978-0-520-25087-1
Verlag: University of California Press

Buch, Englisch, 480 Seiten, Trade Paperback, Format (B × H): 155 mm x 225 mm, Gewicht: 758 g

Bringing alive a remarkable moment in American cultural history, Scott MacDonald tells the colorful story of how a small, backyard organization in the San Francisco Bay Area emerged in the 1960s and evolved to become a major force in the development of independent cinema. Drawing from extensive conversations with men and women crucial to Canyon Cinema, from its newsletter Canyon Cinemanews, and from other key sources, MacDonald offers a lively chronicle of the life and times of this influential, idiosyncratic film exhibition and distribution collective. His book features many primary documents that are as engaging and relevant now as they were when originally published, including essays, poetry, experimental writing, and drawings.

Autoren/Hrsg.

Macdonald, Scott

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio
• Wirtschaftswissenschaften Wirtschaftssektoren & Branchen Medien-, Informations und Kommunikationswirtschaft Filmindustrie

Inhaltsverzeichnis

Introduction

1. Formation

2. Incorporation

Conversation with Edith Kramer
Portfolio
3. Revitalization

Conversation with Diane Kitchen, 3/02
Portfolio
4: Intellectualization
Conversation with Bruce Conner, 7/01
Portfolio
5: Maintenance
Conversation with Dominic Angerame, 8/02
Porfolio

Appendix 1: Canyon Cinema Employees, 1969 to the Present
Appendix 2. Canyon Cinema’s Gross Rentals and Sales, 1966–2005
Credits

Index

Über Autor(innen)

Scott MacDonald is author of the five volumes of the Critical Cinema series (UC Press), of The Garden in the Machine: A Field Guide to Independent Films about Place (UC Press), and of several other books on avant-garde film and on institutions that have kept avant-garde film alive. He is currently Visiting Professor of Film History at Hamilton College and at Harvard University.