Modernism, Postmodernism, and the Short Story in English

Erscheinungsjahr 2012
ISBN: 978-90-420-3557-7
Verlag: Brill | Rodopi

Buch, Englisch, Band 48, 270 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 446 g

Reihe: Postmodern Studies

How can the short story help to redefine modernism, postmodernism and their interrelationship? What is the status of the short story in modern literary history? These are the central questions that the essays collected in this volume try to answer from different perspectives through readings of short fiction in English and accounts of the genre’s theorisations. The essays by a group of international scholars tackle theoretical issues that are central in approaches to both “movements” such as periodisation, autonomy, high vs. popular literature, totality vs. fragmentation, surface vs. depth, otherness, representation, and, above all, the subject and its vicissitudes. Because it blends theory-based arguments into the approaches to the short fiction of mainly canonical authors (Joyce, Woolf, Lewis, Ballard, Carter, Rushdie, or Wallace), Modernism, Postmodernism, and the Short Story in English is of interest not only to readers and scholars of the short story, but also to those coming from the fields of literary theory and literary history.

Autoren/Hrsg.

Weitere Mitwirkende

Sacido, Jorge

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Literarische Strömungen & Epochen
• Geisteswissenschaften Literaturwissenschaft Literarische Gattungen
• Geisteswissenschaften Literaturwissenschaft Englische Literatur Amerikanische Literatur
• Geisteswissenschaften Literaturwissenschaft Literaturgeschichte und Literaturkritik

Inhaltsverzeichnis

Acknowledgements
Jorge Sacido: Introduction
Jorge Sacido: Modernism, Postmodernism and the Short Story
Refocusing “Modernism” through the Short Story
Adrian Hunter: The Short Story and the Difficulty of Modernism
José María Díaz: Allegory and Fragmentation in Wyndham Lewis’s The Wild Body and Djuna Barnes’s A Book
The Subject Vanishes: Modernist Contraction, Postmodernist Effacement and the Short Story Genre
Tim Armstrong: Man in a Sidecar: Madness, Totality and Narrative Drive in the Short Story
Fred Botting: Stories, Spectres, Screens
Paul March-Russell: The Writing Machine: J. G. Ballard in Modern and Postmodern Short Story Theory
The Subject Reappears: Postcolonial Conflict and the Other’s Stories
Esther Sánchez-Pardo: Postmodernist Tales from the Couch
J. Manuel Barbeito and María Lozano: Mind the Gap: Modernism in Salman Rushdie’s Postmodern Short Stories
Manuela Palacios: One anOther: Englishness in Contemporary Irish Short Fiction
Short Notes from the Contemporary Underground
José Francisco Fernández: A Move against the Dinosaurs: The New Puritans and the Short Story
Contributors
Index

Über Autor(innen)

Jorge Sacido took his PhD from the University of Santiago de Compostela (Spain) and is at present Senior Lecturer in English at this university. He has published on Conrad, Woolf, Žižek and British popular culture, and has co-edited National Identities and European Literatures (2008). He supervised a research project on modernism and postmodernism in the English short story funded by the Galician Regional Government (2008-2011).