New Documentary Ecologies

Emerging Platforms, Practices and Discourses
1. Auflage 2014
ISBN: 978-1-349-45666-6
Verlag: Palgrave Macmillan UK

Buch, Englisch, 254 Seiten, Paperback, Format (B × H): 140 mm x 216 mm, Gewicht: 3406 g

Providing a unique collection of perspectives on the persistence of documentary as a vital and dynamic media form within a digital world, New Documentary Ecologies traces this form through new opportunities of creating media, new platforms of distribution and new ways for audiences to engage with the real.

Zielgruppe

Research

Autoren/Hrsg.

Nash, K.

Summerhayes, C.

Hight, C.

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatergeschichte
• Sozialwissenschaften Soziologie | Soziale Arbeit Soziologie Allgemein
• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Dokumentarfilme

Inhaltsverzeichnis

Contents List of Figures Notes on Contributors Introduction: New Documentary Ecologies: Emerging Platforms, Practices and Discourses Part I: EXPANDING DOCUMENTARY 1. Documentary Ecosystems: Collaboration and Exploitation; Jon Dovey 2. Ceding the Activist Digital Documentary; Alexandra Juhasz 3. Clicking on the World: Documentary Representation and Interactivity; Kate Nash 4. Interactive Documentary and Affective Ecologies; Adrian Miles 5. Web-Weaving: the Affective Movement of Documentary Imaging; Catherine Summerhayes PART II: PRODUCTION PRACTICES 6. Spinning a Collaborative Web - Documentary Projects in the Digital Arena; Elizabeth Coffman 7. An Interview with Ingrid Kopp, Director of Digital Initiatives Tribeca Film Institute; Kate Nash 8. Strategies of Participation: The Who, What and When of Collaborative Documentaries; Sandra Gaudenzi 9. An interview with Jigar Mehta, Director of Operations Matter; Kate Nash 10. Making (with) the Korsakow System: Database Documentaries as Articulation and Assemblage; Matt Soar 11. The Evolution of Animated Documentary; Annabelle Honess Roe 12. An Interview with Florian Thalhoffer, Media Artist and Documentary Maker; Kate Nash PART III: INTER/ACTION: RETHINKING DOCUMENTARY ENGAGEMENT 13. Digital Diffusion of Delusions: A World Wide Web of Conspiracy Documentaries; Bjørn Sørenssen 14. Shoot, Edit, Share: Cultural Software and User-Generated Documentary Practice; Craig Hight 15. Ethical Challenges for Documentarians in a User-Centric Environment; Patricia Aufderheide

Über Autor(innen)

Patricia Aufderheide, American University, USA Jon Dovey, University of the West of England, Bristol, UK Sandra Gaudenzi, University of the Arts, London, UK Craig Hight, University of Waikato, New Zealand Annabelle Honess Roe, University of Surrey, UK Alexandra Juhasz, Pitzer College, USA Ingrid Kopp, Tribeca Film Institute, New York City, USA Jigar Mehta, Director of Operations Matter, USA Adrian Miles, RMIT, in Melbourne, Australia Kate Nash, University of Leeds, UK Matt Soar Concordia University, Canada Bjørn Sørenssen, Norwegian University of Science and Technology, Norway Catherine Summerhayes, Australian National University, Australia Florian Thalhofer, Concordia University, Canada