Authors and Adaptation

Writing Across Media in the Nineteenth and Early Twentieth Centuries
2024
ISBN: 978-3-031-46821-6
Verlag: Springer Nature Switzerland

Buch, Englisch, 252 Seiten, Format (B × H): 153 mm x 216 mm, Gewicht: 458 g

Reihe: Palgrave Studies in Adaptation and Visual Culture

This book studies British literary writers’ engagement with adaptations of their work across literary, theatrical, and film media in the nineteenth and early twentieth centuries. It considers their critical, reflective, and autobiographical writings about the process of adaptation, and traces how their work was shaped, as well as delimited, by their involvement with adaptations to different media and intermedial writing. Linking canonical and non-canonical writers both chronologically and contemporaneously, and bridging studies of prose fiction adaptation from nineteenth-century theatre to early twentieth-century film, this book offers an interdisciplinary, transhistorical, cultural, and analytical study of adaptation and the variable positions of writers within and across media.

Zielgruppe

Research

Autoren/Hrsg.

Nissen, Annie

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Rezeption, literarische Einflüsse und Beziehungen
• Geisteswissenschaften Literaturwissenschaft Englische Literatur
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio

Inhaltsverzeichnis

Chapter 1: Introduction.- Chapter 2: Copyright Law, Authorial Ownership, and Adaptation Between Novels and Plays in Nineteenth-Century Britain.- Chapter 3: Changes in Writer Stratifications across Media in Nineteenth-Century Britain.- Chapter 4: Adaptation, Ownership, and the Emergence of Narrative Film.- Chapter 5: Literary Writers and Filmmaking Practices in Silent Cinema.- Chapter 6: Literary Writers and Early Sound Film: Experimental Writing.- Chapter 7: Conclusion.

Über Autor(innen)

Annie Nissen currently works at Lancaster University, UK, where she has been an Associate Lecturer for both Film Studies and English Literature and a Research Associate for the ‘Cinema Memory and the Digital Archive’ project.