Filippino Lippi

Erscheinungsjahr 2020
ISBN: 978-90-04-41610-9
Verlag: World Bank Publications

Buch, Englisch, Band 13, 380 Seiten, Format (B × H): 160 mm x 239 mm, Gewicht: 953 g

Reihe: NIKI Studies in Netherlandish-Italian Art History

Filippino Lippi (1457–1504), although one of the most original and gifted artists of the Florentine renaissance, has attracted less scholarly attention than his father Fra Filippo Lippi or his master Botticelli, and very little has been published on him in English. This book, authored by leading Renaissance art historians, covers diverse aspects of Filippino Lippi’s art: his role in Botticelli’s workshop; his Lucchese patrons; his responses to Netherlandish painting; portraits; space and temporality; the restoration of the Strozzi Chapel in Santa Maria Novella; his immediate artistic legacy; and, finally, his nineteenth-century critical reception.

The fourteen chapters in this volume were originally presented at the international conference Filippino Lippi: Beauty, Invention and Intelligence, held at the Dutch University Institute (NIKI) in Florence in 2017.

See inside the book.

Autoren/Hrsg.

Nuttall, Paula

Nuttall, Geoffrey

Kwakkelstein, Michael

Fachgebiete

• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: Renaissance, Manierismus
• Geisteswissenschaften Kunst Kunstformen, Kunsthandwerk Malerei: Gemälde
• Geisteswissenschaften Kunst Kunst, allgemein Einzelne Künstler: Biographien, Monografien

Inhaltsverzeichnis

Contents

Director’s Remarks

Acknowledgements

List of Illustrations

Notes on Contributors

Introduction

Paula Nuttall

1 The Critic as Artist: Swinburne on Filippino Lippi and Botticelli (1868)

Jonathan K. Nelson

2 Filippino in Botticelli’s Workshop

Michelle O’Malley

3 Visible Rays in Filippino’s London Adoration of the Magi

Paul Hills

4 Filippino Lippi’s Lucchese Patrons

Geoffrey Nuttall

5 The Virgin at the Well in Filippino’s San Gimignano Annunciation

Joost Joustra

6 ‘. di naturale tanto bene che non pare che gli manchi se non la parola.’: Filippino Lippi pittore di ritratti

Patrizia Zambrano

7 From Reiteration to Dialogue: Filippino’s Responses to Netherlandish Painting

Paula Nuttall

8 Annunciations and Assumptions: Notes on a Particular Constellation in the Carafa Chapel

Johannes Grave

9 The Temporary and the Temporal: Suspense in the Strozzi Chapel

Alison Wright

10 Gli affreschi di Filippino Lippi nella Cappella Strozzi a Santa Maria Novella a Firenze: il restauro e la tecnica

Alessandra Popple and Cristiana Conti

11 Never Being Boring: Filippino Lippi, Michelangelo and the Concept of Chapel Decoration

Charles Robertson

12 Reconsidering Lucchese Painting after Filippino

Christopher Daly

13 ‘L’un des plus grands maîtres de l’école Florentine’: Filippino Lippi and His Workshop in French Collections

Matteo Gianeselli

14 Sfortuna di Raffaellino del Garbo

Alessandro Cecchi

Appendix: A Note on the Identification of the Saints in the Background of the London Adoration of the Magi

Jill Dunkerton and Rachel Billinge

List of Photographic Credits

Index

Über Autor(innen)

Paula Nuttall, Ph.D. (1990), Courtauld Institute of Art is Course Director at the V&A Academy, London. She is an art historian specialising in artistic relations between the Netherlands and Italy in the Renaissance, on which she has published widely.

Geoffrey Nuttall, Ph.D. (2013), Courtauld Institute of Art, is an independent scholar specialising in Renaissance Lucca. He has published widely on aspects of Lucchese artistic patronage, and is currently preparing a monograph Lucca at the Dawn of the Renaissance

Michael W. Kwakkelstein, Ph.D. (1994), is Professor of Italian Renaissance Art and Art Theory at the Department of History and Art History at Utrecht University and Director of the Dutch University Institute for Art History in Florence.