Hamish MacCunn (1868-1916)

A Musical Life
1. Auflage 2016
ISBN: 978-1-138-27837-0
Verlag: Routledge

Buch, Englisch, 286 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 442 g

Reihe: Music in Nineteenth-Century Britain

Hamish MacCunn’s career unfolded amidst the restructuring of British musical culture and the rewriting of the Western European political landscape. Having risen to fame in the late 1880s with a string of Scottish works, MacCunn further highlighted his Caledonian background by cultivating a Scottish artistic persona that defined him throughout his life. His attempts to broaden his appeal ultimately failed. This, along with his difficult personality and a series of poor professional choices, led to the slow demise of what began as a promising career. As the first comprehensive study of MacCunn’s life, the book illustrates how social and cultural situations as well as his personal relationships influenced his career. While his fierce loyalty to his friends endeared him to influential people who helped him throughout his career, his refusal of his Royal College of Music degree and his failure to complete early commissions assured him a difficult path. Drawing upon primary resources, Oates traces the development of MacCunn’s music chronologically, juxtaposing his Scottish and more cosmopolitan compositions within a discussion of his life and other professional activities. This picture of MacCunn and his music reveals on the one hand a talented composer who played a role in establishing national identity in British music and, on the other, a man who unwittingly sabotaged his own career.

Autoren/Hrsg.

Oates, Jennifer L.

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Geschichte der Musik

Inhaltsverzeichnis

Introduction; From Greenock to London: 1868-86; `Pushing off into the stream': 1887-90; Between the concert hall and the opera house: 1887-93; Scottish opera: 1892-95; After Jeanie Deans: 1896-97; `Dried up': 1898-1910; Final years: 1911-16; `The potential saviour of native music': appraisals and conclusions; Appendix; Select bibliography; Discography; Index.

Über Autor(innen)

Jennifer Oates, Ph.D., is Associate Professor at Queens College and the Graduate Center-CUNY, and Head of the Music Library at Queens College. Oates's research focuses on nineteenth- and twentieth-century British music, particularly Scottish art music, Scotland in music, and the music of Hamish MacCunn and Sir Granville Bantock.